Vintage Grand Set 10 Hepplewhite Shield Back Dining Chairs 20thC
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An absolutely fantastic English made set of ten Hepplewhite style Shield Back dining chairs, dating from the mid 20th century.
These chairs have been masterfully crafted in beautiful solid mahogany with hand carved decoration throughout and the finish and attention to detail on display are truly breathtaking.
The set comprises eight side chairs and two armchairs, all of which feature an attractive shield back design, square tapering legs with spade feet, and 'drop in' seats that have been upholstered in the finest golden damask fabric.
Transform the fine dining experience in your home with this set of dining chairs fit for a king.
In excellent condition having been beautifully restored and reupholstered in our workshops, please see photos for confirmation.
Dimensions in cm:
Height 88 x Width 51 x Depth 54 - Chair
Height 88 x Width 55 x Depth 57 - Armchair
Dimensions in inches:
Height 2 feet, 11 inches x Width 1 foot, 8 inches x Depth 1 foot, 9 inches - Chair
Height 2 feet, 11 inches x Width 1 foot, 10 inches x Depth 1 foot, 10 inches - Armchair
is probably one of the largest ‘families’ of hardwood, having many different varieties within its own species.
Mahogany has been used for centuries in ship building, house building, furniture making etc and is the core structure of just about every 19th century vanity box, dressing case or jewellery box. It became more of a Victorian trend to dress Mahogany with these decorative veneers, such as Rosewood, Kingwood, Burr Walnut and Coromandel, so that the actual Mahogany was almost hidden from view.
Mahogany itself is a rich reddish brown wood that can range from being plain in appearance to something that is so vibrant, figured and almost three dimensional in effect.
Although Mahogany was most often used in its solid form, it also provided some beautifully figured varieties of veneer like ‘Flame’ Mahogany and ‘Fiddleback’ Mahogany (named after its preferred use in the manufacture of fine musical instruments).
Cuban Mahogany was so sought after, that by the late 1850′s, this particular variety became all but extinct.
(1727 - 1786) was a cabinetmaker. He is regarded as having been one of the "big three" English furniture makers of the 18th century, along with Thomas Sheraton and Thomas Chippendale.
There are no pieces of furniture made by Hepplewhite or his firm known to exist but he gave his name to a distinctive style of light, elegant furniture that was fashionable between about 1775 and 1800 and reproductions of his designs continued through the following centuries. After he died in 1786, the business was continued by his widow, Alice. In 1788 she published a book with about 300 of his designs, The Cabinet Maker and Upholsterers Guide, with two further editions published in 1789 and 1790.
Hepplewhite produced designs that were slender, more curvilinear in shape and well balanced. There are some characteristics that hint at a Hepplewhite design, such as shorter more curved chair arms, straight legs, shield-shape chair backs, all without carving. The design would receive ornamentation from paint and inlays used on the piece.
Angelica Kauffman, RA (1741 - 1807)
was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.
While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.
Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.
The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.
The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.
It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.
Our reference: 07835