Pair of French Empire Ballroom 18 Light Chandeliers
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This is an impressive pair of huge French Empire style two-tier crystal chandeliers with eighteen lights each and beautiful clear crystal drops.
There are six lights on the top tier and twelve on the lower tier.
Add a touch of class to your home with this beautiful pair of decorative chandeliers.
Whether placed in a hallway, foyer, or reception this magnificent pair of chandeliers makes the ultimate statement. True to the Empire originals, these wonderful chandeliers are made with the finest materials and are fashioned in the elegant Empire style.
They are characteristic of the grand chandeliers which decorated the finest Chateaux and Palaces across Europe and are sure to lend a special atmosphere to your home.
In excellent ready to use condition.
Dimensions in cm:
Height 140 x Width 110 x Depth 110
Dimensions in inches:
Height 4 feet, 7 inches x Width 3 feet, 7 inches x Depth 3 feet, 7 inches
The word chandelier appeared in the English language in the late 14th century, borrowed directly from 12th century Old Spanish. This was a new spelling of the 10th century French word chandelabre, which comes from the Latin candelabrum, itself from the Latin candela (meaning candle).
The earliest candle chandeliers were used by the wealthy in medieval times.
The world's largest Bohemian crystal chandelier, a gift from Queen Victoria, is located in the Dolmabahçe Palace in Istanbul. It has 750 lamps and weighs 4.5 tons. Dolmabahçe has the largest collection of Bohemian and Baccarat crystal chandeliers in the world, and one of the great staircases has balusters of Baccarat crystal.
Angelica Kauffman, RA (1741 - 1807)
was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.
While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.
Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.
The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.
The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.
It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.
Our reference: 05787a
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