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Antique Art Nouveau 4 Light Brass Chandelier c.1920

Antique Art Nouveau 4 Light Brass Chandelier
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  • Antique Art Nouveau 4 Light Brass Chandelier
  • Antique Art Nouveau 4 Light Brass Chandelier
  • Antique Art Nouveau 4 Light Brass Chandelier
  • Antique Art Nouveau 4 Light Brass Chandelier
  • Antique Art Nouveau 4 Light Brass Chandelier
  • Antique Art Nouveau 4 Light Brass Chandelier
  • Antique Art Nouveau 4 Light Brass Chandelier
  • Antique Art Nouveau 4 Light Brass Chandelier
  • Antique Art Nouveau 4 Light Brass Chandelier
  • Antique Art Nouveau 4 Light Brass Chandelier
  • Antique Art Nouveau 4 Light Brass Chandelier
Ref:05594a
Price: £1,500.00
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This is a beautiful antique cast brass four light chandelier with striking streaky white glass shades, in Art Nouveau design dating from around 1920.

The chandelier features beautiful decorations of grapes, vines and leaves.

I bought this from the hallway of a large 1920s  house, set behind a gated entrance, in Eastbourne.

Add a touch of class to your home with this beautiful decorative chandelier.


Condition:

Excellent - as it has been dismantled and cleaned.

Dimensions in cm:

Height 104 x Width 84 x Depth 110

Dimensions in inches:

Height 3 feet, 5 inches x Width 2 feet, 9 inches x Depth 3 feet, 7 inches

The word chandelier appeared in the English language in the late 14th century, borrowed directly from 12th century Old Spanish. This was a new spelling of the 10th century French word chandelabre, which comes from the Latin candelabrum, itself from the Latin candela (meaning candle).

The earliest candle chandeliers were used by the wealthy in medieval times. 

The world's largest Bohemian crystal chandelier, a gift from Queen Victoria, is located in the Dolmabahçe Palace in Istanbul. It has 750 lamps and weighs 4.5 tons. Dolmabahçe has the largest collection of Bohemian and Baccarat crystal chandeliers in the world, and one of the great staircases has balusters of Baccarat crystal. 


Art Nouveau - 
style of art, architecture and applied art—especially the decorative arts—that was most popular during 1890–1910. English uses the French name Art nouveau ("new art"), but the style has many different names in other countries. Art Nouveau is also known as Jugendstil in Germany, as Modern (Модерн) in Russia, as Modernisme in Catalonia (Spain), as Secession in Austria-Hungary and as Stile Liberty in Italy. The style was most popular in Europe, but its influence was global.

As a reaction to academic art of the 19th century, it was inspired by natural forms and structures, not only in flowers and plants, but also in curved lines. Architects tried to harmonize with the natural environment

It is considered a "total" art style, embracing architecture, graphic art, interior design, and most of the decorative arts including jewellery, furniture, textiles, household silver and other utensils and lighting, as well as the fine arts. According to the philosophy of the style, art should be a way of life. For many well-off Europeans, it was possible to live in an art nouveau-inspired house with art nouveau furniture, silverware, fabrics, ceramics including tableware, jewellery, cigarette cases, etc. Artists desired to combine the fine arts and applied arts, even for utilitarian objects.

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: 05594a

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