Antique French Bronze Stag Sculpture Christopher Fratin 19th Century
For weekly notifications of new arrivals in your categories of interest please click HERE.
This is a very rare French bronze animalier sculpture of a stag by Christopher Fratin, circa 1840 in date
The superbly modelled and cast bronze bellowing stag is standing alert and ready to charge.
It features a finely detailed naturalistic base, has a good dark brown patination and is signed FRATIN.
Add this lovely example of Fratin's work to your collection.
In excellent condition, please see photos for confirmation of condition.
Dimensions in cm:
Height 36 x Width 37 x Depth 20
Dimensions in inches:
Height 1 foot, 2 inches x Width 1 foot, 3 inches x Depth 8 inches
Christopher Fratin (1 January 1801 – 16 August 1864), also known as Christophe Fratin, was a noted French sculptor in the animalier style, and one of the earliest French sculptors to portray animals in bronze.
Fratin was born in Metz, Moselle, France the son of a taxidermist. He first studied drawing under Pioche in Metz and later worked in Paris at the studio of Théodore Géricault.
He exhibited at the Paris Salon from 1831–1842 and 1850–1862, as well as at the Great Exhibition in London in 1851. Fratin never signed his bronzes but instead used a stamp showing his last name in straight block letters. One of the stamps he used showed the "n" reversed, not by design but due to an error on the part of the maker of the stamp. Bronzes bearing this stamp have the appearance of not seeming to be genuine when in reality they are.
Fratin received monumental commissions in France and elsewhere, including the Deux Aigles Gardant Leur Proie (Eagles and Prey, created 1850) displayed since 1863 in New York City's Central Park. Many of his small bronzes—including his miniature bronzes which were more affordable due to their smaller size—were sold commercially to the general public during his lifetime. Today, Fratin's sculpture is on permanent display in the Louvre, the city museums of Metz, Lyon, Strasbourg, Nîmes and at the Peabody Institute in Baltimore, Maryland. The Georg Eisler archive in Vienna also has on display works by Fratin.
A number of Fratin's pieces portray horses, especially portraits of famous horses such as Fermer, cheval anglais pur-sang, a wax of which he debuted at the Salon of 1831, the same exhibition in which Barye's Tigre dévorant un gavial was featured.
At Montrouge Square in Paris appears a colossal bronze group standing 2 meters high entitled Cheval attaqué par un lion, executed in 1852. Fratin received many commissions from the State including groups designed for the botanical garden and the esplanade of his hometown; amongst the groups were two dogs, a deer at bay, a purebred horse, and some eagles. He also produced a number of whimsical bear sculptures, one being Ours jouant de la cornemuse which shows a bear holding a musical instrument.
Death and legacy
Fratin died on 17 August 1864 at Le Raincy (Seine-Saint-Denis) and is buried in Montmartre Cemetery. He is honored in Metz where a street is named after him.
Angelica Kauffman, RA (1741 - 1807)
was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.
While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.
Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.
The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.
The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.
It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.
Our reference: 09421
Please feel free to email or call us (+44 20 8809 9605) to arrange a viewing in our North London warehouse.
We ship worldwide and deliver to Mainland UK addresses free of charge.
A shipping cost to all other destinations must be requested prior to purchase.
To request a shipping quote for the items in your cart, please click HERE.
Delivery and return policy:
We require that someone be home on the agreed delivery day if applicable, otherwise a redelivery fee will apply.
In accordance with Distance Selling Regulations, we offer a 14-day money back guarantee if you are not satisfied with the item.
The item must be returned in its original packaging and condition.
Unless the item is not as described in a material way, the buyer is responsible for return shipping expenses.
Buyers are fully responsible for any customs duties or local taxes that may be incurred on items sent outside of the European Union.