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Antique Pair of Edwardian Sterling Silver Candlesticks 1907

Antique Pair of Edwardian Sterling Silver Candlesticks 1907
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  • Antique Pair of Edwardian Sterling Silver Candlesticks 1907
  • Antique Pair of Edwardian Sterling Silver Candlesticks 1907
  • Antique Pair of Edwardian Sterling Silver Candlesticks 1907
  • Antique Pair of Edwardian Sterling Silver Candlesticks 1907
  • Antique Pair of Edwardian Sterling Silver Candlesticks 1907
  • Antique Pair of Edwardian Sterling Silver Candlesticks 1907
  • Antique Pair of Edwardian Sterling Silver Candlesticks 1907
  • Antique Pair of Edwardian Sterling Silver Candlesticks 1907
  • Antique Pair of Edwardian Sterling Silver Candlesticks 1907
  • Antique Pair of Edwardian Sterling Silver Candlesticks 1907
  • Antique Pair of Edwardian Sterling Silver Candlesticks 1907
  • Antique Pair of Edwardian Sterling Silver Candlesticks 1907
  • Antique Pair of Edwardian Sterling Silver Candlesticks 1907
  • Antique Pair of Edwardian Sterling Silver Candlesticks 1907
Ref:08641
Price: £1,450.00
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An exquisite pair of English antique Edwardian sterling silver candlesticks bearing hallmarks for London, 1907 and the makers mark of Thomas Bradbury & Sons, of  London and Sheffield.

The pair is very elegantstems and bases with  exquisite Neo-Classical deciration of rams heads, masks and urns.

 

Condition:

In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation.

 

Dimensions in cm:

Height 24 x Width 11 x Depth 11

Dimensions in inches:

Height 9 inches x Width 4 inches x Depth 4 inches

Thomas Bradbury & Sons
 belonged to generation of silversmiths. The first records of the partnership of Thomas Bradbury, Thomas Watson and James Fenton go back to 1795. The partnership was making pieces in the style of Watson & Co.
Later, Thomas Bradbury II (son of Thomas Bradbury I) and William Watson (nephew of Thomas Watson) were admitted to the partnership. In 1831 William Watson retired and the business was continued by Bradburys (Thomas I and II) under the style of Thomas Bradbury & Son.
The firm was active at Arundel Street, Sheffield with London showroom at 12 Gough Square, Fleet Street. In 1855 the firm changed its name to Thomas Bradbury & Sons, under the partnership of Joseph and Edward Bradbury (sons of Thomas Bradbury II). In 1877 the partners were Thomas Bradbury III (brother of Joseph Bradbury) and John Sutherland Henderson. The partnership was dissolved in 1888 and the firm was managed by Walton Turner Bradbury, Joseph Bradbury Jr and Frederick Bradbury (sons of Joseph Bradbury Sr). Frederick Bradbury is the author of the fundamental book "A History of Old Sheffield Plate".
The business was converted into a limited liability company in 1905, under the style Thomas Bradbury & Sons Ltd.The company closed its activity in 1943 and dies and tooling were bought by Atkin Brothers.

Chronology:
1789 - 1795 Watson & Co
1795 - 1831 Thomas Bradbury & Son
1831 - c. 1855 Thomas Bradbury & Sons
1855 - c. 1905 Thomas Bradbury & Sons Ltd 1905 - 1943

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: 08641

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