Antique Sterling Silver Ewer Jug Coffee pot Emes & Barnard1818
For weekly notifications of new arrivals in your categories of interest please click HERE.
It has stunning gadrooned and reeded decoration in the manner of Paul Storr.
There is no mistaking the unique quality and design, which is sure to make this a treasured item by any discerning collector.
In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation.
Dimensions in cm:
Height 26 x Width 21 x Depth 18
Weight 45 troy oz
Dimensions in inches:
Height 10 inches x Width 8 inches x Depth 7 inches
Weight 1.40 kg
Emes & Barnard - apprenticed to Charles Wright in 1781 and turned over to Thomas Chawner in 1784, Edward Barnard I became Chawner's foreman in 1786.
He became free of the Goldsmiths' Company in 1789 and in 1808 entered his mark in partnership with Rebeccah Emes. Becoming one of the most successful establishments in London, Emes and Barnard acted primarily as retailers, although they occasionally accepted orders from other firms, including Rundell, Bridge Rundell and Fisher, Braithwaite and Jones.
In addition to simple domestic items, the workshop produced massive presentation pieces, elaborate dinner services, and ornate race cups in all the current styles. After the death of his partner in 1828, Barnard carried on the trade with his three sons, Edward II, John, and William.
Angelica Kauffman, RA (1741 - 1807)
was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.
While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.
Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.
The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.
The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.
It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.
Our reference: 08471