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Antique Paul Storr Sterling Silver Sauce Tureen 1802

Antique Paul Storr Sterling Silver Sauce Tureen 1802
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  • Antique Paul Storr Sterling Silver Sauce Tureen 1802
  • Antique Paul Storr Sterling Silver Sauce Tureen 1802
  • Antique Paul Storr Sterling Silver Sauce Tureen 1802
  • Antique Paul Storr Sterling Silver Sauce Tureen 1802
  • Antique Paul Storr Sterling Silver Sauce Tureen 1802
  • Antique Paul Storr Sterling Silver Sauce Tureen 1802
  • Antique Paul Storr Sterling Silver Sauce Tureen 1802
  • Antique Paul Storr Sterling Silver Sauce Tureen 1802
  • Antique Paul Storr Sterling Silver Sauce Tureen 1802
  • Antique Paul Storr Sterling Silver Sauce Tureen 1802
  • Antique Paul Storr Sterling Silver Sauce Tureen 1802
  • Antique Paul Storr Sterling Silver Sauce Tureen 1802
Ref:08036
Price: £3,200.00
Question about item

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This is a wonderful English antique sterling silver sauce tureen by the world famous and celebrated silversmith Paul Storr.

It has hallmarks for London 1802, the makers mark of Paul Storr on each part and it bears a stunning coat of arms which I have not yet had time to research.
 

Condition:

In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation.

 

 

 

Dimensions in cm:

Height 15 x Width 23 x Depth 11 & Weight 20 troy oz

Dimensions in inches:

Height 6 inches x Width 9 inches x Depth 4 inches & Weight 0.62 kg

Paul Storr -
born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty.

In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell.

During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed II, the chief modeller and head of the design department, and later John Flaxman II who succeeded him in 1817. During this period Rundell, Bridge & Rundell’s reputation grew due to the patronage of the Prince Regent (later George IV).

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: 08036

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