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Antique Sterling Silver Novelty Box by Asprey's 1909

Antique Sterling Silver Novelty Box by Asprey& 39 s 1909
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  • Antique Sterling Silver Novelty Box by Asprey& 39 s 1909
  • Antique Sterling Silver Novelty Box by Asprey& 39 s 1909
  • Antique Sterling Silver Novelty Box by Asprey& 39 s 1909
  • Antique Sterling Silver Novelty Box by Asprey& 39 s 1909
  • Antique Sterling Silver Novelty Box by Asprey& 39 s 1909
  • Antique Sterling Silver Novelty Box by Asprey& 39 s 1909
  • Antique Sterling Silver Novelty Box by Asprey& 39 s 1909
  • Antique Sterling Silver Novelty Box by Asprey& 39 s 1909
  • Antique Sterling Silver Novelty Box by Asprey& 39 s 1909
  • Antique Sterling Silver Novelty Box by Asprey& 39 s 1909
  • Antique Sterling Silver Novelty Box by Asprey& 39 s 1909
  • Antique Sterling Silver Novelty Box by Asprey& 39 s 1909
  • Antique Sterling Silver Novelty Box by Asprey& 39 s 1909
  • Antique Sterling Silver Novelty Box by Asprey& 39 s 1909
Price: £975.00
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This is a rare and delightful antique Edwardian English solid sterling silver stamp / mini jewel box with hallmarks for London 1909 and the makers mark of the world renowned retailer and silversmith, Asprey's of Bond Street, London and the patent registration RD549313.

The box is in the form of a serpentine commode with two lift up hinged tiers, a gilt interior and standing on square legs.

The quality and craftsmanship are superb, as to be expected with Asprey's.

It is a lovely piece which can be a special gift.



In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation.


Dimensions in cm:

Height 4.5 x Width 6 x Depth 4.5

Dimensions in inches:

Height 2 inches x Width 2 inches x Depth 2 inches

Asprey was established in England in  1781 and founded as a silk printing business by William Asprey, it soon became a luxury emporium. In 1841, William Asprey's elder son Charles went into partnership with a stationer located on London's Bond Street. In 1847 the family broke with this partner and moved into 167 New Bond Street, the premises Asprey occupies today.

From its central London location Asprey advertised 'articles of exclusive design and high quality, whether for personal adornment or personal accompaniment and to endow with richness and beauty the table and homes of people of refinement and discernment.' An early speciality was dressing cases. Asprey crafted traditional cases and designs, mostly in leather, suitable for the new style of travel ushered in by railways. The main competitors at the time were H.J. Cave & Sons. Asprey was recognised for its expertise when it won a gold medal for its dressing cases at the International Exhibition of 1862 but lost out to its rivals, H.J. Cave & Sons in 1867.

The company consolidated its position through acquisitions. In 1859 Asprey absorbed Edwards, an award winning maker of dressing cases and holder of a Royal Warrant. The company also purchased the Alfred Club at 22 Albemarle Street, which backed on to the New Bond Street store and meant that Asprey now had entrances on two of London's most fashionable streets.

In 1862, Asprey was granted a Royal Warrant by Queen Victoria. The Prince of Wales, later to be crowned Edward VII, granted another Royal Warrant. In 1953, for the coronation of Elizabeth II, Asprey paid homage with the Asprey Coronation Year Gold Collection, which featured a dessert, coffee and liqueur service in 18-carat gold and weighed almost 27 pounds. In April 1953, it went on show in the New Bond Street store and subsequently toured the United States.

As the business grew, the company acquired manufacturing facilities and hired silversmithsgoldsmithsjewellers and watchmakers including Ernest Betjeman, the father of the distinguished poet John Betjeman, one of the most highly regarded craftsman and designers of his day.

In the twenties, commissions poured in from around the world, from American millionaire J. Pierpont Morgan to potentates such as the Maharaja of Patiala, who commissioned a huge teak travelling trunk for each of his wives in which each trunk was fitted with solid silver washing and bathing utensils with waterspouts of ornate tiger head and lined with blue velvet. Asprey cigarette cases became collectable amongst young sophisticates who delighted in its other modern products, including travel clocks, safety razors and automatic pencil sharpeners.

Asprey Jewellery    
Asprey has a tradition of producing jewellery inspired by the blooms found in English gardens. Over the decades jewelled interpretations of flowers have evolved to include the Crown Daisy, Rose, Calla Lily and Lily Pad collections. The master diamond cutter Gabi Tolkowsky created the Asprey cut. The cushion cut gave Tolkowsky options for incorporating the Asprey "A" inscription around the edges of the stone. The result was the 61-facet Asprey cut, maximising light refraction to brilliant effect. The shape of the Asprey cut means that the cutting process can be done only by hand, unlike many other stones that involve machine cutting.

Asprey Leather  - the women's collection of clutches and handbags, such as those featured in the 1781 collection, come from crocodile, python and ostrich. The men's collection includes wallets, cardholders and travel watch cases crafted from lido, calf or alligator. Other items include the briefcases and backgammon boards.

Asprey Silver   -  offers classic and whimsical contemporary silver pieces – such as the saltcellar fashioned to look like a cement mixer or the wheel barrow salt holder with accompanying shovel spoon. Asprey also produce children's gifts, including tooth boxes, picture frames and rattles.

Other Asprey products include books, trophies and Asprey Polo. 

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).


is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: 07473

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