Antique Chinese Wang Hing Silver Mug c.1900
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This is a beautiful antique Chinese export solid silver mug, with hall marks for Wang Hing, circa 1900 in date.The slender baluster body is masterfully chased with a four claw dragon amongst clouds, an engraved cartouche to the front, a slightly tapering foot and an elegant simulated bamboo handle.
This is a very beautiful piece in its simplicity and is sure to be appreciated by any collector of Chinese silver.
In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation.
Dimensions in cm:
Height 12.5 & Weight 9 troy oz
Dimensions in inches:
Height 5 inches & Weight 0.28 kg
Chinese dragons are legendary creatures in Chinese mythology and Chinese folklore. The dragons have many animal-like forms such as turtles, fish, and imaginary creatures, but they are most commonly depicted as snake-like with four legs.
Chinese dragons traditionally symbolize potent and auspicious powers, particularly control over water, rainfall, hurricane, and floods. The dragon is also a symbol of power, strength, and good luck for people who are worthy of it. With this, the Emperor of China usually used the dragon as a symbol of his imperial power and strength.
In Chinese daily language, excellent and outstanding people are compared to a dragon, while incapable people with no achievements are compared with other, disesteemed creatures, such as a worm.
Angelica Kauffman, RA (1741 - 1807)
was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.
While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.
Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.
The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.
The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.
It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.
Our reference: 05970
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