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Vintage Large Medici Society Print by Helena Maguire Late 20th Century

Vintage Large Medici Society Print by Helena Maguire Late 20th Century
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  • Vintage Large Medici Society Print by Helena Maguire Late 20th Century
  • Vintage Large Medici Society Print by Helena Maguire Late 20th Century
  • Vintage Large Medici Society Print by Helena Maguire Late 20th Century
  • Vintage Large Medici Society Print by Helena Maguire Late 20th Century
  • Vintage Large Medici Society Print by Helena Maguire Late 20th Century
  • Vintage Large Medici Society Print by Helena Maguire Late 20th Century
  • Vintage Large Medici Society Print by Helena Maguire Late 20th Century
  • Vintage Large Medici Society Print by Helena Maguire Late 20th Century
  • Vintage Large Medici Society Print by Helena Maguire Late 20th Century
  • Vintage Large Medici Society Print by Helena Maguire Late 20th Century
Ref:R0014
Price: £350.00
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A large beautiful Medici Society Print of Helena Maguire's painting titled 'Friends All Round', late 20th century in date.

This colourful print features a little girl feeding farm animals through the half-open door of a country cottage.

Add this lovely print to any room of your home.

 

Condition:

Excellent - please refer to pictures

Dimensions in cm:

Height 66 x Width 83 x Depth 2

Dimensions in inches:

Height 2 feet, 2 inches x Width 2 feet, 9 inches x Depth 1 inch

Helena Maguire (1860-1909) worked in watercolour and specialised in painting pictures of animals and children. She exhibited at the Royal Academy between 1881 and 1902, and also at the New Watercolour Society and the Society of British Artists, Suffolk Street.

 

The Medici Society Ltd was founded in 1908 by Philip Lee Warner and Eustace Gurney. The company's original aim was to bring artists' work to the appreciation of a wider public through technically cutting edge high-end colour reproductions, with subjects chosen for their artistic value, beauty or sentiment sold "for the lowest price commercially possible".

The name Medici was chosen as a homage to the great Florentine family who did so much to encourage art in the Italian Renaissance. The profile of Lorenzo de' Medici (1449 - 1492), known as Lorenzo the Magnificent, was incorporated into the trade mark.

Initially, the business was run as a society, and members were invited to join and pay a subscription which entitled them to copies of prints as they were published at no extra charge. This structure was later revised and the prints were sold commercially through shops and galleries, but the company retains the Medici Society name to this day. As a result of this comparatively unusual name, many people think that it might be a charitable organisation, but this is not the case. Medici started to publish greeting cards in the 1930s, and some of the artists whose work was published in those days are still in print today.

In 2008 the company sold its greeting card division to the The Great British Card Company, who now publish greeting cards using the name ‘Medici’ under licence as Medici Cards. However, The Medici Society Ltd continues to publish its Fine Art Reproduction Prints, and to licence out permissions to reproduce our extensive archive of imagery through Mary Evans Picture Library. It also continues to retail cards and prints at Medici Gallery South Kensington and to sell original Fine Art at Medici Gallery in Mayfair.

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: R0014

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