This is a magnificent antique Adam Revival mahogany and satinwood console table, circa 1880 in date.
This stunning console table is of half-moon shape and features stunning hand-painted decorations of flowers, swags and ribbons, and a Neo-Classical bust to the frieze - all hand-painted in warm and pastel colour schemes, creating a cosy and sophisticated feel.
It is raised on four splendid baluster tapering legs, cojoined by shaped stretchers and terminating in charming turned toupie feet.
The quality and attention to detail throughout are second to none.
In excellent condition having been beautifully restored in our workshops, please see photos for confirmation.
Dimensions in cm:
Height 80 x Width 120 x Depth 47
Dimensions in inches:
Height 2 feet, 7 inches x Width 3 feet, 11 inches x Depth 1 foot, 6 inches
Our reference: 09741
Please feel free to email or call us (+44 20 8809 9605) to arrange a viewing in our North London warehouse.
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.
The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.
It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.
is probably one of the largest ‘families’ of hardwood, having many different varieties within its own species.
Mahogany has been used for centuries in ship building, house building, furniture making etc and is the core structure of just about every 19th century vanity box, dressing case or jewellery box. It became more of a Victorian trend to dress Mahogany with these decorative veneers, such as Rosewood, Kingwood, Burr Walnut and Coromandel, so that the actual Mahogany was almost hidden from view.
Mahogany itself is a rich reddish brown wood that can range from being plain in appearance to something that is so vibrant, figured and almost three dimensional in effect.
Although Mahogany was most often used in its solid form, it also provided some beautifully figured varieties of veneer like ‘Flame’ Mahogany and ‘Fiddleback’ Mahogany (named after its preferred use in the manufacture of fine musical instruments).
Cuban Mahogany was so sought after, that by the late 1850′s, this particular variety became all but extinct.
The Adam style (or Adamesque and "Style of the Brothers Adam") is an 18th-century neoclassical style of interior design and architecture, as practised by three Scottish brothers, of whom Robert Adam (1728–1792) and James Adam (1732–1794) were the most widely known.
The Adam brothers advocated an integrated style for architecture and interiors, with walls, ceilings, fireplaces, furniture, fixtures, fittings and carpets all being designed by the Adams as a single uniform scheme. Commonly and mistakenly known as "Adams Style," the proper term for this style of architecture and furniture is the "Style of the Adam Brothers."
The Adam style found its niche from the late 1760s in upper-class and middle-class residences in 18th-century England, Scotland, Russia (where it was introduced by Scottish architect Charles Cameron), and post-Revolutionary War United States (where it became known as Federal Style and took on a variation of its own). The style was superseded from around 1795 onwards by the Regency Style and the French Empire Style.
The Adam style moved away from the strict mathematical proportions previously found in Georgian rooms, and introduced curved walls and domes, decorated with elaborate plasterwork and striking mixed colour schemes using newly affordable paints in pea green, sky blue, lemon, lilac, bright pink, and red-brown terracotta.
Artists such as Angelica Kauffman and Antonio Zucchi were employed to paint classical figurative scenes within cartouches set into the interior walls and ceilings.
The Adam's main rivals were James Wyatt, whose many designs for furniture were less known outside the wide circle of his patrons, because he never published a book of engravings; and Sir William Chambers, who designed fewer furnishings for his interiors, preferring to work with such able cabinet-makers as John Linell, Thomas Linnell, Thomas Chippendale, and Ince and Mayhew. So many able designers were working in this style in London from circa 1770 that the style is currently more usually termed Early Neoclassical.
Robert Adam's design for the Etruscan Dressing Room, Osterley Park, 1773-74; the painted ornaments on the walls and ceilings are the work of Pietro Maria Borgnis, working for Adam.
It was typical of Adam style to combine decorative neo-Gothic details into the classical framework. So-called "Egyptian" and "Etruscan" design motifs were minor features.
The Adam style is identified with:
Classical Roman decorative motifs, such as framed medallions, vases, urns and tripods, arabesque vine scrolls, griffins and dancing nymphs
Flat grotesque panels
Painted ornaments, such as swags and ribbons
Complex pastel colour schemes
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We require that someone be home on the agreed delivery day if applicable, otherwise a redelivery fee will apply.
In accordance with Distance Selling Regulations, we offer a 14-day money back guarantee if you are not satisfied with the item.
The item must be returned in its original packaging and condition.
Unless the item is not as described in a material way, the buyer is responsible for return shipping expenses.
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