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Antique Old Sheffield Silver Plate Decanter Stand Tantalus 19th C

Antique Old Sheffield Silver Plate Decanter Stand Tantalus 19th C | Ref. no. 09283 | Regent Antiques
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  • Antique Old Sheffield Silver Plate Decanter Stand Tantalus 19th C | Ref. no. 09283 | Regent Antiques
  • Antique Old Sheffield Silver Plate Decanter Stand Tantalus 19th C | Ref. no. 09283 | Regent Antiques
  • Antique Old Sheffield Silver Plate Decanter Stand Tantalus 19th C | Ref. no. 09283 | Regent Antiques
  • Antique Old Sheffield Silver Plate Decanter Stand Tantalus 19th C | Ref. no. 09283 | Regent Antiques
  • Antique Old Sheffield Silver Plate Decanter Stand Tantalus 19th C | Ref. no. 09283 | Regent Antiques
  • Antique Old Sheffield Silver Plate Decanter Stand Tantalus 19th C | Ref. no. 09283 | Regent Antiques
  • Antique Old Sheffield Silver Plate Decanter Stand Tantalus 19th C | Ref. no. 09283 | Regent Antiques
  • Antique Old Sheffield Silver Plate Decanter Stand Tantalus 19th C | Ref. no. 09283 | Regent Antiques
  • Antique Old Sheffield Silver Plate Decanter Stand Tantalus 19th C | Ref. no. 09283 | Regent Antiques
  • Antique Old Sheffield Silver Plate Decanter Stand Tantalus 19th C | Ref. no. 09283 | Regent Antiques
  • Antique Old Sheffield Silver Plate Decanter Stand Tantalus 19th C | Ref. no. 09283 | Regent Antiques
  • Antique Old Sheffield Silver Plate Decanter Stand Tantalus 19th C | Ref. no. 09283 | Regent Antiques
  • Antique Old Sheffield Silver Plate Decanter Stand Tantalus 19th C | Ref. no. 09283 | Regent Antiques
  • Antique Old Sheffield Silver Plate Decanter Stand Tantalus 19th C | Ref. no. 09283 | Regent Antiques
  • Antique Old Sheffield Silver Plate Decanter Stand Tantalus 19th C | Ref. no. 09283 | Regent Antiques
  • Antique Old Sheffield Silver Plate Decanter Stand Tantalus 19th C | Ref. no. 09283 | Regent Antiques
  • Antique Old Sheffield Silver Plate Decanter Stand Tantalus 19th C | Ref. no. 09283 | Regent Antiques
  • Antique Old Sheffield Silver Plate Decanter Stand Tantalus 19th C | Ref. no. 09283 | Regent Antiques
Ref:09283
Price: £875.00
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Good quality Elkington plate three bottle tantalus

This is an attractive Old Sheffield silver plated  tantalus stand with three Bohemian decanters with stoppers, in the classic English style and circa 1840 in date.

The silver plated decanter stand has a central spade handle and waved scroll and form borders.



The craftsmanship is second to none and this beautiful set is sure to add a touch of class to your dining experience.


Condition:

In excellent condition, please see photos for confirmation of condition.
 

Dimensions in cm:

Height 44 x Width 24 x Depth 23

Dimensions in inches:

Height 1 foot, 5 inches x Width 9 inches x Depth 9 inches

Tantalus is a type of liquor decanter in which the bottle stoppers are locked down tightly by a metal bar. This was to prevent the theft of the contents by servants. Like the name suggests, the decanters themselves are visible, drawing temptation while unattainable. A key is required for entry.

The most common types of tantalus holds three bottles or decanters while there are also smaller types housing only two. There are many different forms of tantalus. Often the encasement has metal handles on both sides and ornately carved decor. Crystal and metal versions are also a beautiful option when choosing a tantalus.

Tantalus derived its name from the story of the mythological Greek king, Tantalus. To be tantalized is to be tempted with the unattainable, and the king, condemned to an eternity in Hades, was sorely tested. He was forced to stand forever in water that, when he bent to drink, would recede and to gaze upon foods he could only reach for and never grasp.

The 1800s saw our Victorian predecessors apply the King’s name to the lockable decanter.

 

Old Sheffield Plate - or ‘fused plate’ as it is sometimes known, was the first commercially viable method of plating metal. 

The material was accidentally invented by Thomas Boulsover, of Sheffield's Cutlers Company, in 1743. While trying to repair the handle of a customer's decorative knife, he heated it too much and the silver started to melt. When he examined the damaged handle, he noticed that the silver and copper had fused together very strongly. Experiments showed that the two metals behaved as one when he tried to reshape them, even though he could clearly see two different layers.

Boulsover set up in business, funded by Strelley Pegge of Beauchief, and carried out further experiments in which he put a thin sheet of silver on a thick ingot of copper and heated the two together to fuse them. When the composite block was hammered or rolled to make it thinner, the two metals were reduced in thickness at similar rates. Using this method, Boulsover was able to make sheets of metal which had a thin layer of silver on the top surface and a thick layer of copper underneath. When this new material was used to make buttons, they looked and behaved like silver buttons but were a fraction of the cost.

The technique Boulsover developed was to sandwich an ingot of copper between two plates of silver, tightly bind it with wire, heat it in a furnace and then mill it out in to sheet, from which objects could be made. 

 

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: 09283

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