Vintage Large 6ft Georgian Style Flame Mahogany Partners Pedestal Desk 20th C
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This is a stunning large vintage Georgian style partner’s desk, masterfully crafted in flame mahogany, dating from the second half of the 20th century.
The desk top is of breakfront outline and is fiited with a beautiful inset three part gilt tooled green leather writing surface.
This grand desk has a very solid construction with decorative panelled sides and elegant brass drop handles.
It is a partners desk, this one is identical on each side. Each side has three drawers across the frieze a pedestal which has a further three drawers and a pedestal which has a useful cupboard.
Partners desks were made to make it possible for two people to work at the same time on one desk, hence the term "partners desk".
There is no mistaking its superb quality and elaborate design, which is certain to make it a talking point in your home and add a touch of luxury to your study room.
In excellent condition having been beautifully cleaned, polished, waxed and releathered in our workshops, please see photos for confirmation.
Dimensions in cm:
Height 78 x Width 182 x Depth 89
Dimensions in inches:
Height 2 feet, 7 inches x Width 6 feet x Depth 2 feet, 11 inches
The flame figure in the wood is revealed by slicing through the face of the branch at the point where it joins another element of the tree.
Angelica Kauffman, RA (1741 - 1807)
was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.
While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.
Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.
The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.
The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.
It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.
Our reference: 09121