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Vintage Italian Casali Italia piano accordion, with grey mother of pearl

Vintage Italian Casali Italia piano accordion, with grey mother of pearl
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  • Vintage Italian Casali Italia piano accordion, with grey mother of pearl
  • Vintage Italian Casali Italia piano accordion, with grey mother of pearl
  • Vintage Italian Casali Italia piano accordion, with grey mother of pearl
  • Vintage Italian Casali Italia piano accordion, with grey mother of pearl
  • Vintage Italian Casali Italia piano accordion, with grey mother of pearl
  • Vintage Italian Casali Italia piano accordion, with grey mother of pearl
  • Vintage Italian Casali Italia piano accordion, with grey mother of pearl
  • Vintage Italian Casali Italia piano accordion, with grey mother of pearl
  • Vintage Italian Casali Italia piano accordion, with grey mother of pearl
  • Vintage Italian Casali Italia piano accordion, with grey mother of pearl
  • Vintage Italian Casali Italia piano accordion, with grey mother of pearl
  • Vintage Italian Casali Italia piano accordion, with grey mother of pearl
  • Vintage Italian Casali Italia piano accordion, with grey mother of pearl
  • Vintage Italian Casali Italia piano accordion, with grey mother of pearl
Ref:08826
Price: £475.00
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A stunning Casali Italia piano accordion, with grey mother of pearl effect finish.



Condition:

In excellent condition -  please note that we are selling this piano accordion as a decorative object not as a musical instrument.

Dimensions in cm:

Height 40 x Width 48 x Depth 25

Dimensions in inches:

Height 1 foot, 4 inches x Width 1 foot, 7 inches x Depth 10 inches

Piano accordion is an accordion equipped with a right-hand keyboard similar to a piano or organ. Its acoustic mechanism is more that of an organ than a piano, as they are both wind instruments, but the term "piano accordion"—coined by Guido Deiro in 1910—has remained the popular nomenclature. It may be equipped with any of the available systems for the left-hand manual.

In comparison to a piano keyboard, the keys are more rounded, smaller, and lighter to the touch. These go vertically down the side, pointing inward, toward the bellows, making them accessible to only one hand while handling the accordion.

The bass piano accordion is a variation of a piano accordion without bass buttons and with the piano keyboard in an octave lower. They typically have around 3 octaves.

The first accordion to feature a piano keyboard was probably the instrument introduced in 1852 by Bouton of Paris. Another source claimed the first piano accordion was introduced in 1854 at the Allegemeine Deutsche Industrieausstellung in München. It was showcased by the instrument builder Mattäus Bauer and quickly became a serious competitor to button accordions.

In the United States, the piano accordion dramatically increased in popularity between 1900-1930 based on its familiarity to students and teachers, and its uniformity, whereby accordion dealers and instructors did not have to support different styles of accordions for many European immigrant groups. The piano keyboard layout was also promoted by the fame of Vaudeville performers Guido Deiro and his brother Pietro who premiered the instrument on stage, recordings and radio. After the Deiro's success, popular chromatic button accordionist Pietro Frosini chose to disguise his accordion's buttons to look like a piano keyboard so as not to appear "old-fashioned."  The piano accordion is the official city instrument of San Francisco,California

As of 1972 it could be largely said that the piano system dominated the English-Speaking North American continent, Scotland, and certain East European countries, while differing button systems are generally to be found in ScandinaviaFranceBelgium and former Soviet countries. The piano accordion is also predominant in ItalyNew Zealand, and Australia.

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: 08826

Please feel free to email or call us (+44 20 8809 9605) to arrange a viewing in our North London warehouse.

Shipping:

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Delivery and return policy:

We require that someone be home on the agreed delivery day if applicable, otherwise a redelivery fee will apply.

In accordance with Distance Selling Regulations, we offer a 14-day money back guarantee if you are not satisfied with the item.

The item must be returned in its original packaging and condition.

Unless the item is not as described in a material way, the buyer is responsible for return shipping expenses.

Buyers are fully responsible for any customs duties or local taxes that may be incurred on items sent outside of the European Union.