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Antique Regency Rosewood Chiffonier Sideboard C1820

Antique Regency Rosewood Chiffonier Sideboard C1820
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  • Antique Regency Rosewood Chiffonier Sideboard C1820
  • Antique Regency Rosewood Chiffonier Sideboard C1820
  • Antique Regency Rosewood Chiffonier Sideboard C1820
  • Antique Regency Rosewood Chiffonier Sideboard C1820
  • Antique Regency Rosewood Chiffonier Sideboard C1820
  • Antique Regency Rosewood Chiffonier Sideboard C1820
  • Antique Regency Rosewood Chiffonier Sideboard C1820
  • Antique Regency Rosewood Chiffonier Sideboard C1820
  • Antique Regency Rosewood Chiffonier Sideboard C1820
  • Antique Regency Rosewood Chiffonier Sideboard C1820
  • Antique Regency Rosewood Chiffonier Sideboard C1820
  • Antique Regency Rosewood Chiffonier Sideboard C1820
  • Antique Regency Rosewood Chiffonier Sideboard C1820
  • Antique Regency Rosewood Chiffonier Sideboard C1820
  • Antique Regency Rosewood Chiffonier Sideboard C1820
  • Antique Regency Rosewood Chiffonier Sideboard C1820
  • Antique Regency Rosewood Chiffonier Sideboard C1820
  • Antique Regency Rosewood Chiffonier Sideboard C1820
  • Antique Regency Rosewood Chiffonier Sideboard C1820
  • Antique Regency Rosewood Chiffonier Sideboard C1820
Ref:08626
Price: £3,200.00
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A superb quality antique breakfront Regency rosewood sideboard, circa 1820 in date.
 
It features a raised mirrored back with an elegant surmounted brass three quarter gallery that is raised on scrolling ormolu supports.

This is over a decorative ormolu mounted frieze above three silk backed and brass lattice work doors  flanked by ormolu mounted rosewood columns and standing on a plinth base.
 
 Add a an elegant touch to a special place in your home with this beautiful antique sideboard.

Complete with working locks and key.
 

Condition:

In excellent condition having been beautifully cleaned and polished in our workshops, please see photos for confirmation.

Dimensions in cm:

Height 123 x Width 138 x Depth 36

Dimensions in inches:

Height 4 feet, 0 inches x Width 4 feet, 6 inches x Depth 1 foot, 2 inches

Regency Period Furniture (1800 - 1830)

Furniture styles often bear the name of the historical periods in which they occur. For English furniture, this often means naming a style after the king or queen on the throne at the time. With the Regency Period of furniture, the naming convention only partially applies and reveals the complicated political atmosphere of England at the time.

 
Unlike prior periods, borrowing elements from Roman and Greek furniture, designers of the Regency Period often tried to recreate the actual furniture pieces found in the museums, vaults, and artwork of the time. The introduction of Egyptian artifacts also sparked a desire to bring those elements into the Regency Period style. Thematic motifs of ancient gods, sphinxes, lions, and griffins ornamented many pieces. Additionally, a revival of Eastern influence from China and Japan inspired the use of bamboo, wood carved to resemble bamboo, and lacquered finishes.
 
While all these cultural and historic influences helped determine the furniture of the Regency Period, the style itself used ornamentation for its elegance, rather than rich carvings and curved lines exhibited in earlier periods of furniture design. The woodworking of the pieces generally exhibited plain lines and surfaces with slender legs and right angles. In many ways, this helped highlight the ornamentation by providing a simplistic background to avoid distraction.
 
The components of Regency Period furniture include the selection of wood and the use of metals for accents. Mahogany remained the dominant wood for furniture design, while exotic wood like ebony was featured in many high-end pieces. Additionally, veneers of rosewood and zebrawood added visually striking surfaces or features to the clean lines of the style.
 
The addition of metal accents, however, gave Regency Period furniture its ornate elegance. Furniture makers primarily used brass, while occasionally including bronze or ormolu, an imitation gold. Brass inlays, accents along corners and legs, handles, and hinges, were popular. Of note, brass rosettes or lions' heads to hold rings on cabinet doors and drawers decorated many pieces, while the bases of furniture legs were often animal feet made of brass. Glass insets on cabinet doors would also be covered and protected by brass grills in lattice patterns or scrollwork designs.

Rosewood
is a rich warm reddish brown wood that has a distinct grain with dark brown and black outlining. One variety of Rosewood can vary significantly from another even though it is of the same species. These Rosewoods, native of India, South East Asia and Brazil, were dense and awkward to work with. It was renowned for quickly bluntening cutting tools and visibly darkening in colour when over prepared.

The Brazilian species of Rosewood was by far the most beautifully figured and therefore it became the most sought after and rare. This was the wood of choice for the great box makers, David and Thomas Edwards who used it to veneer some of their finest pieces.

 

 

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: 08626

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