Antique Victorian Betjemann's Coromandel Book Slide 19th C
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This is a high quality antique Victorian Coromandel adjustable book slide, circa 1860 in date.
It features a pair of oval Sevres style plaques depicting cherubs at play and it is wonderfully decorated with stupendous gilt brass filigree mounts.
It was made by the renowned maker of patented mechanisms, Betjemann's of Pentonville Road, London, and bears their engraved name and patent number 2414.
It is a delightful object which will display your favourite books beautifully.
In excellent condition having been beautifully restored in our workshops,two side mounts are missing, please see photos for confirmation.
Dimensions in cm:
Height 8 x Width 46 x Depth 9 - closed
Height 18 x Width 69 x Depth 9 - Fully extended
Dimensions in inches:
Height 3 inches x Width 1 foot, 6 inches x Depth 3 inches - closed
Height 7 inches x Width 2 feet, 3 inches x Depth 3 inches - Fully extended
Betjemann & Sons
From 1859, based at 36-40 Pentonville Road, London, George Betjemann amd his two sons took the art of cabinet, box and book slide making to new heights. They specialised in designs for operating the way that different compartments in vanity boxes opened and also the sprung system for book slides.
Howell James & Company
Were a firm of jewellers and silversmiths based in Regent Street in London which operated between 1819 and 1911.
The firm Howell and James was founded in 1819 by James Howell and Isaac James who were originally silk mercers and retail jewellers. The company had premises at 5, 7 and 9 Regent Street and was noted for the variety and quality of its stock. In 1838 James left the business and the partnership then became known as Howell James & Co. By 1865 the firm employed over 140 women, most of whom lived above the shop.
The firm exhibited in London, at the Great Exhibition in 1851 and at the 1862 International Exhibition, and in Paris and the International Exposition of 1867. It sold items by students and designers of the South Kensington School.
At the London exhibitions of 1871 and 1872 the company exhibited jewellery by C.L. Eastlake, M. D. Wyatt, F. Leighton and L. F. Day. The company's 1878 Paris Exhibition stand was designed by Day. In 1889, company employee J. Llewellyn moved to Liberty & Co taking with him exclusive selling rights.
In 1881 the premises were reconstructed and these incorporated art pottery galleries. An exhibition was staged, of architectural faience, produced to the designs of M. B. Adams by Burmantofts. In 1884 the company became a limited company and their name changed to Howell & James Ltd
Coromandel wood or Calamander wood
is a valuable wood from India, Sri Lanka and South East Asia. It is of a hazel-brown color, with black stripes (or the other way about), very heavy and hard. It is also known as Macassar Ebony or variegated ebony and is closely related to genuine ebony, but is obtained from different species in the same genus; one of these is Diospyros quaesita Thwaites, from Sri Lanka. The name Calamander comes from the local sinhalese name, 'kalu-medhiriya', which means dark chamber; referring to the characteristic ebony black wood.
Coromandel wood has been logged to extinction over the last 2 to 3 hundred years and is no longer available for new work in any quantity. Furniture in coromandel is so expensive and so well looked after that even recycling it is an unlikely source. A substitute, Macassar Ebony, has similar characteristics and to the untrained eye is nearly the same but it lacks the depth of colour seen in genuine Coromandel.
Angelica Kauffman, RA (1741 - 1807)
was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.
While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.
Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.
The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.
The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.
It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.
Our reference: 08624