Antique George III Old Sheffield Tray by Cresswick 1811
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Bearing the makers marks of Cresswick & Co, fabulous foliate engraved decoration and a central crest.
This magnificent tray is one of the finest examples of its type you could hope to acquire.
In excellent condition with clear makers mark and no dings, dents or signs of repair. Please see photos for confirmation.
Dimensions in cm:
Height 3.5 x Width 74 x Depth 48
Dimensions in inches:
Height 1 inch x Width 2 feet, 5 inches x Depth 1 foot, 7 inches
Creswick & Co - formerly TJ & N Creswick of Sheffield. The "arrows" trademark was first registered in 1811 for Old Sheffield Plate production. The cross arrows trademark was later acquired by William Hutton & Sons in 1902. Electroplating began in 1852. The firm became Creswick & Co in 1855.
Old Sheffield Plate
Thomas Boulsover, a Sheffield cutler, invented the process which became called Sheffield plate Circa 1740.
The date is uncertain because no patent was taken out. The next known manufacturer was Joseph Hancock, in 1755, but others also began and in 1784 the Sheffield Plate makers obtained an Act of the Parliament legalizing a mark consisting of the full name of the maker and an associated device.
In Sheffield plate a sheet of silver is fused on to a thicker one of copper and the compound billet rolled, both metals expanding equally, become a thin sheet of copper coated with a layer of silver.
About 1840 the Electroplate process superseded Sheffield Plate and it’s production ceased about 1860.
Angelica Kauffman, RA (1741 - 1807)
was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.
While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.
Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.
The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.
The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.
It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.
Our reference: 08469