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Antique Italian Sorrento Tilt Top Occasional Table c.1830

Antique Italian Sorrento Tilt Top Occasional Table
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  • Antique Italian Sorrento Tilt Top Occasional Table
  • Antique Italian Sorrento Tilt Top Occasional Table
  • Antique Italian Sorrento Tilt Top Occasional Table
  • Antique Italian Sorrento Tilt Top Occasional Table
  • Antique Italian Sorrento Tilt Top Occasional Table
  • Antique Italian Sorrento Tilt Top Occasional Table
  • Antique Italian Sorrento Tilt Top Occasional Table
  • Antique Italian Sorrento Tilt Top Occasional Table
  • Antique Italian Sorrento Tilt Top Occasional Table
  • Antique Italian Sorrento Tilt Top Occasional Table
  • Antique Italian Sorrento Tilt Top Occasional Table
  • Antique Italian Sorrento Tilt Top Occasional Table
  • Antique Italian Sorrento Tilt Top Occasional Table
  • Antique Italian Sorrento Tilt Top Occasional Table
  • Antique Italian Sorrento Tilt Top Occasional Table
  • Antique Italian Sorrento Tilt Top Occasional Table
  • Antique Italian Sorrento Tilt Top Occasional Table
  • Antique Italian Sorrento Tilt Top Occasional Table
  • Antique Italian Sorrento Tilt Top Occasional Table
Ref:08454
Price: £3,150.00
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This is a beautiful and rare antique Italian Sorrento marquetry tilt top occasional table of exhibition quality, circa 1830 in date. 

It was hand crafted from burr walnut, exotic specimen woods and olive wood. The twelve sided top richly inlaid and having a figural scene with inlaid details to the centre within bands of intricate marquetry. The central panel depicting the Greek God Helios, the personification of the sun in Greek mythology, driving his chariot of the sun across the sky.

The table is raised on a triangular central pedestal that terminates in three elegant splayed legs all masterfully inlaid in foliate patterns.

The top can be tilted into various positions to display the intricate marquetry decoration perfectly.

It is a lovely and decorative piece will enhance most interiors.

Condition:

In excellent condition having been beautifully cleaned and waxed in our workshops, please see photos for confirmation.
 

Helios
Was the personification of the Sun in Greek mythology. He is the son of the Titan Hyperion and the Titaness Theia, also known as Euryphaessa and brother of the goddesses Selene, the moon, and Eos, the dawn.

Helios was described as a handsome titan crowned with the shining aureole of the Sun, who drove the chariot of the sun across the sky each day to earth-circling Oceanus and through the world-ocean returned to the East at night. In the Homeric hymn to Helios, Helios is said to drive a golden chariot drawn by steeds and Pindar speaks of Helios's "fire-darting steeds"  Still later, the horses were given fire related names: Pyrois, Aeos, Aethon, and Phlegon.

As time passed, Helios was increasingly identified with the god of light, Apollo The equivalent of Helios in Roman mythology was Sol.


Walnut

refers to the swirling figure present in nearly all walnut when cut and polished, and especially in the wood taken from the base of the tree where it joins the roots. However the true burr is a rare growth on the tree where hundreds of tiny branches have started to grow. Burr walnut produces some of the most complex and beautiful figuring you can find.

Olive
is a small tree or shrub that grows up to 8–15 m tall with thorny branches. The wood of that tree is very hard and therefore suitable for making furniture. The tree main producers in Europe are: Spain, Italy and Turkey.

 

Marquetry
is decorative artistry where pieces of material (such as wood, mother of pearl, pewter, brass silver or shell) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers.

The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the "hardstones" used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique.

Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing shell and brass with pewter in arabesque or intricately foliate designs.
  

 

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: 08454

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