Antique French Empire Style Pietra Dura Bouillotte Occasional Table C1900
For weekly notifications of new arrivals in your categories of interest please click HERE.
It is masterfully crafted in blonde mahogany and raised on an elegant triform base centred by a gilt bronze urn finial. It is surmounted with a stunning Italian pietra dura circular table top, the field inlaid with a decorative hexagonal cartouche set with specimen marbles in a honeycomb arrangement, bordered with six oval cartouches.
Very decorative and inset with many beautiful and varied types of marble, including malachite.
There is no mistaking the unique quality and elaborate design, which is certain to make it a talking point in your home and a fine embellishment to your reception room.
In excellent condition having been beautifully cleaned and polished in our workshops, please see photos for confirmation.
Dimensions in cm:
Height 76 x Width 64 x Depth 64
Dimensions in inches:
Height 2 feet, 6 inches x Width 2 feet, 1 inch x Depth 2 feet, 1 inch
is an 18th-century French gambling card game of the Revolution based on Brelan, very popular during the 19th century in France and again for some years from 1830.It was also popular in America. The game is regarded as one of the games that influenced the open-card stud variation in poker.
is an early-19th-century design movement in architecture, furniture, other decorative arts, and the visual arts followed in Europe and America until around 1830.
The style originated in and takes its name from the rule of Napoleon I in the First French Empire, where it was intended to idealize Napoleon's leadership and the French state. The style corresponds to the Biedermeier style in the German-speaking lands, Federal style in the United States and to the Regency style in Britain. The previous style was called Louis XVI style, in France.
The Empire style was based on aspects of the Roman Empire. It is the second phase of neoclassicism which is also called "Directoire", after a goverment system.
Furniture typically had symbols and ornaments borrowed from the glorious ancient Greek and Roman empires.
The furniture was made from heavy woods such as mahogany and ebony, imported from the colonies, with dark finishes often with decorative bronze mounts. Marble tops were popular as were Egyptian motifs like sphinxes, griffins, urns and eagles and the Napoleonic symbols, the eagle, the bee, the initials "I" and a large "N."
Gilded bronze (ormolu) details displayed a high level of craftsmanship.
Angelica Kauffman, RA (1741 - 1807)
was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.
While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.
Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.
The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.
The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.
It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.
Our reference: 08256
Please feel free to email or call us (+44 20 8809 9605) to arrange a viewing in our North London warehouse.
We ship worldwide and deliver to Mainland UK addresses free of charge.
A shipping cost to all other destinations must be requested prior to purchase.
To request a shipping quote for the items in your cart, please click HERE.
Delivery and return policy:
We require that someone be home on the agreed delivery day if applicable, otherwise a redelivery fee will apply.
In accordance with Distance Selling Regulations, we offer a 14-day money back guarantee if you are not satisfied with the item.
The item must be returned in its original packaging and condition.
Unless the item is not as described in a material way, the buyer is responsible for return shipping expenses.
Buyers are fully responsible for any customs duties or local taxes that may be incurred on items sent outside of the European Union.