Speak with an expert today
+44 20 8809 9605

Vintage Rouge Italian Marble Tuscan Column Pedestal

Vintage Rouge Italian Marble Tuscan Column Pedestal
Click on image to zoom
  • Vintage Rouge Italian Marble Tuscan Column Pedestal
  • Vintage Rouge Italian Marble Tuscan Column Pedestal
  • Vintage Rouge Italian Marble Tuscan Column Pedestal
  • Vintage Rouge Italian Marble Tuscan Column Pedestal
  • Vintage Rouge Italian Marble Tuscan Column Pedestal
  • Vintage Rouge Italian Marble Tuscan Column Pedestal
  • Vintage Rouge Italian Marble Tuscan Column Pedestal
Ref:07808
Price: £695.00
Question about item Print item Download item

For weekly notifications of new arrivals in your categories of interest please click HERE.

Our London showrooms Open Mon to Fri 10am - 5pm Open Sat 21st July 10am - 4pm

This is a gorgeous vintage rouge marble Tuscan column pedestal from the last quarter of the 20th century.

The sleek rouge marble with white veins is absolutely breathtaking.

It would be absolutely perfect for displaying a bronze sculpture, marble bust, or porcelain vase.


Condition:

In excellent condition, please see photos for confirmation.

Dimensions in cm:

Height 94 x Width 26 x Depth 26

Dimensions in inches:

Height 3 feet, 1 inch x Width 10 inches x Depth 10 inches

The Tuscan order is in effect a simplified Doric order, with un-fluted columns and a simpler entablature with no triglyphs or guttae. It was not one of the three orders of classical architecture described by the Roman architect Vitruvius; these were the Doric, Ionic, and Corinthian. Instead the Tuscan order, presented as a standardized formal order, is an invention of Italian Renaissance writers largely motivated by nationalism. However, relatively simple columns with round capitals had been part of the vernacular architecture of Italy and much of Europe since at least Etruscan architecture.

Sebastiano Serlio described five orders including a "Tuscan order", "the solidest and least ornate", in his fourth book of Regole generali di architettura sopra le cinque maniere de gli edifici (1537). Though Fra Giocondo had attempted a first illustration of a Tuscan capital in his printed edition of Vitruvius (1511), he showed the capital with an egg and dart enrichment that belonged to the Ionic. The "most rustic" Tuscan order of Serlio was later carefully delineated by Andrea Palladio.

In its simplicity, The Tuscan order is seen as similar to the Doric order, and yet in its overall proportions, intercolumniation and simpler entablature, it follows the ratios of the Ionic. This strong order was considered most appropriate in military architecture and in docks and warehouses when they were dignified by architectural treatment. Serlio found it "suitable to fortified places, such as city gates, fortresses, castles, treasuries, or where artillery and ammunition are kept, prisons, seaports and other similar structures used in war."

Not all modern writers accept the Tuscan order, and it is sometimes called "Doric" even by those aware of the distinction.

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: 07808

Please feel free to email or call us (+44 20 8809 9605) to arrange a viewing in our North London warehouse.

Shipping:

We ship worldwide and deliver to Mainland UK addresses free of charge.

A shipping cost to all other destinations must be requested prior to purchase.

To request a shipping quote for the items in your cart, please click HERE.

Delivery and return policy:

We require that someone be home on the agreed delivery day if applicable, otherwise a redelivery fee will apply.

In accordance with Distance Selling Regulations, we offer a 14-day money back guarantee if you are not satisfied with the item.

The item must be returned in its original packaging and condition.

Unless the item is not as described in a material way, the buyer is responsible for return shipping expenses.

Buyers are fully responsible for any customs duties or local taxes that may be incurred on items sent outside of the European Union.