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Antique Victorian Rosewood Casket Jewellery Box c.1840

Antique Victorian Rosewood Casket Jewellery Box
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  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
  • Antique Victorian Rosewood Casket Jewellery Box
Ref:06450
Price: £425.00
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This is a wonderful antique rosewood jewellery box, with mother of pearl and brass inlaid decoration, circa 1840. 

There is a hinged lid which reveals interiors lined with elegant patterned burgundy velvet. The casket has also a separate compartment to store love letters and a secret side drawer with a sprung mechanism.

It is a lovely and practical piece which can add a little bit of character to your stylish interiors.

Condition:

In excellent condition, please see photos for confirmation.

Dimensions in cm:

Height 16 x Width 31 x Depth 23

Dimensions in inches:

Height 6 inches x Width 1 foot, 0 inches x Depth 9 inches

Rosewood
is a rich warm reddish brown wood that has a distinct grain with dark brown and black outlining. One variety of Rosewood can vary significantly from another even though it is of the same species. These Rosewoods, native of India, South East Asia and Brazil, were dense and awkward to work with. It was renowned for quickly bluntening cutting tools and visibly darkening in colour when over prepared.

The Brazilian species of Rosewood was by far the most beautifully figured and therefore it became the most sought after and rare. This was the wood of choice for the great box makers, David and Thomas Edwards who used it to veneer some of their finest pieces.
 

Nacre
 also known as mother of pearl, is an organic-inorganic composite material produced by some molluscs as an inner shell layer; it is also what makes up the outer coating of pearls. It is strong, resilient, and iridescent. The outer layer of pearls and the inside layer of pearl oyster and freshwater pearl mussel shells are made of nacre. 

 

 

Both black and white nacre are and were used for design purposes. They were used as decorative motif used in cabinet making or silversmithing. The natural nacre may be artificially tinted to almost any colour. Nacre tesserae may be cut into shapes and laminated to a ceramic tile or marble base. The tesserae are hand-placed and closely sandwiched together, creating an irregular mosaic or pattern (such as a weave). The laminated material is typically about 2 mm thick. The tesserae are then lacquered and polished creating a durable and glossy surface.

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: 06450

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