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Antique Large Victorian Burr Walnut Pier Cabinet c.1860

Antique Large Victorian Burr Walnut Pier Cabinet
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  • Antique Large Victorian Burr Walnut Pier Cabinet
  • Antique Large Victorian Burr Walnut Pier Cabinet
  • Antique Large Victorian Burr Walnut Pier Cabinet
  • Antique Large Victorian Burr Walnut Pier Cabinet
  • Antique Large Victorian Burr Walnut Pier Cabinet
  • Antique Large Victorian Burr Walnut Pier Cabinet
  • Antique Large Victorian Burr Walnut Pier Cabinet
  • Antique Large Victorian Burr Walnut Pier Cabinet
  • Antique Large Victorian Burr Walnut Pier Cabinet
  • Antique Large Victorian Burr Walnut Pier Cabinet
  • Antique Large Victorian Burr Walnut Pier Cabinet
  • Antique Large Victorian Burr Walnut Pier Cabinet
  • Antique Large Victorian Burr Walnut Pier Cabinet
  • Antique Large Victorian Burr Walnut Pier Cabinet
  • Antique Large Victorian Burr Walnut Pier Cabinet
  • Antique Large Victorian Burr Walnut Pier Cabinet
  • Antique Large Victorian Burr Walnut Pier Cabinet
Ref:06340
Price: £1,850.00
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This is a lovely antique Victorian burr walnut pier cabinet, circa 1860.

It has been accomplished in burr walnut with a glazed door enclosing interiors lined with burgundy velvet and three shelves. 

It is an unusually tall for a pier cabinet and adding to its truly unique character, it is decorated with satinwood marquetry

With original key and working lock.


Provenance: Purchased from  Ashwick Court the beautiful late 17th Century Grade II listed house at Ashwick, Oak Hill, near Bath.

One cannot overstate the truly unique opportunity to own such a delightful cabinet.
 

Condition:

In excellent condition having been beautifully restored and the interior relined in our workshops, please see photos for confirmation.
 

Dimensions in cm:

Height 127 x Width 95 x Depth 40

Dimensions in inches:

Height 4 feet, 2 inches x Width 3 feet, 1 inch x Depth 1 foot, 4 inches

Burr Walnut
refers to the swirling figure present in nearly all walnut when cut and polished, and especially in the wood taken from the base of the tree where it joins the roots. However the true burr is a rare growth on the tree where hundreds of tiny branches have started to grow. Burr walnut produces some of the most complex and beautiful figuring you can find.


Satinwood 
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia. 

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies. 

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.


Marquetry is decorative artistry where pieces of material (such as wood, mother of pearl, pewter, brass silver or shell) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers.


The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the "hardstones" used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique.

Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing shell and brass with pewter in arabesque or intricately foliate designs.


Ashwick Court is Grade II* listed house on Heckley Lane northwest of Ashwick, in Mendip district, eastern Somerset, England, which is adjacent to the Church of St James. It is a country house, dating from the late 17th century and became a listed building on 2 June 1961.

Judge Jeffries tried cases at Ashwick Court during the Bloody Assizes following the Monmouth Rebellion in 1685. The house was owned by the Strachey Baronets, before it was let to Dr Newton Wade in 1892 who thought he had discovered oil in the water well.

Alterations were added to the property in the 18th and mid-19th century. The house stands in 48.5 acres (19.6 ha) of attached parkland and has its own tennis court.

 

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: 06340

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