Pair Japanese Imari Hand Painted Porcelain Vases
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A beautiful pair of hand-painted porcelain vases in the Imari style, dating from the second half of the 20th century.
They feature attractive floral patterns and classic Japanese motifs.
Instill a certain elegance to a special place in your home with these fabulous vases.
Imari porcelain was the European collectors' name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyūshū, and exported from the port of Imari, Saga, specifically for the European export trade. In Japanese, these porcelains are known as Arita-yaki (有田焼).
The Ko-Imari and Iro-Nabeshima usually have painted decor of underglaze blue and iron red painted on a white ground. The porcelain has a gritty texture on the bases, where it is not covered by glaze. Subject matter is of foliage and flowers. Enamel colors other than blue and red are used in the Kakiemon porcelain.
Imari was simply the trans-shipment port for Arita wares. The kilns at Arita formed the heart of the Japanese porcelain industry, which developed in the 17th century, after the porcelain clay was discovered in 1616 by an immigrant Korean potter Yi Sam-pyeong (1579–1655). Yi Sam-pyeong was kidnapped with his family(180 persons) after the Japanese invasion in Korea in 1598. After the discovery, Arita kilns introduced Korean style overglazing technique and refined designs from the political chaos china, where the Chinese kilns at Ching-te-Chen were damaged and New Qing dynasty government stopped trade in 1656-1684. First, blue-and-white porcelain made at Arita, imitating Chinese designs, was also widely exported to Europe through the Dutch East India Company, but "Imari porcelain" connotes Arita wares more specifically designed to catch the European taste.
Dimensions in cm:
Height 33 x Width 16 x Depth 16
Dimensions in inches:
Height 1 foot, 1 inch x Width 6 inches x Depth 6 inches
Angelica Kauffman, RA (1741 - 1807)
was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.
While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.
Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.
The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).
Satinwood
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.
The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.
It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.
Our reference: 02114
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