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Antique English Painting by John Charles Maggs c.1860

Antique English Painting by John Charles Maggs
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  • Antique English Painting by John Charles Maggs
  • Antique English Painting by John Charles Maggs
  • Antique English Painting by John Charles Maggs
  • Antique English Painting by John Charles Maggs
  • Antique English Painting by John Charles Maggs
  • Antique English Painting by John Charles Maggs
  • Antique English Painting by John Charles Maggs
  • Antique English Painting by John Charles Maggs
  • Antique English Painting by John Charles Maggs
  • Antique English Painting by John Charles Maggs
  • Antique English Painting by John Charles Maggs
  • Antique English Painting by John Charles Maggs
  • Antique English Painting by John Charles Maggs
  • Antique English Painting by John Charles Maggs
  • Antique English Painting by John Charles Maggs
Ref:02087
Price: £2,200.00
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This is an antique painting of one of John Charles Maggs' (1819 - 1896) most popular countryside subjects, circa 1860.

It depicts a coaching inn with in the foreground a horse drawn carriage inscribed with the name of the Victorian furniture removals and storage company, 
Barnby Bendal & Co. 

Barnby Bendal & Co were based in Cheltenham and were in business from 1839 to 1976.

The painting is oil on canvas and bears the artist's signature in the lower left corner.

 

Condition:

In excellent condition having been beautifully restored in our workshops, please see photos for confirmation. 


Dimensions in cm:

Height 112 x Width 86 - Painting

Height 128 x Width 101 - Frame

Dimensions in inches:

Height 3 feet, 8 inches x Width 2 feet, 10 inches - Painting

Height 4 feet, 2 inches x Width 3 feet, 4 inches - Frame

John Charles Maggs (1819–1896) was a painter best known for his coaching scenes. He was born in Bath, England in 1819, his father being a furniture japanner there. He painted a series of famous coaching inns, and also a series of 80 metropolitan inns, in which he exploited the picturesque and historical aspect of his subject, to which his talent was best suited.

Other subjects he painted include Newmarket Races, Robbing the Mails, The News of Waterloo, The Market Place at Bath. The period he illustrated spans about two centuries; from the days before Hogarth, to the end of the reign of William IV. His work enjoyed great popularity at a time when there was much interest in such vivid reconstruction of the 'romantic past'.

John Maggs' father, James, is recorded as an artist at Bath 1837–1841 and his uncle as a portrait painter 1846–1848. His daughter also assisted at his studio, known as the Bath Art Studio. Maggs lived in Bath his whole life, and died there on 3 November 1896, aged 77.

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: 02087

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