Antique Art Deco Revival Bronze Diana the Huntress Josef Lorenzl 20th C

Josef Lorenzl (1 September 1892 – 15 August 1950) was an Austrian sculptor and ceramicist of the Art Deco period.
 
While at the Vienna Arsenal, Lorenzl produced many bronze and chryselephantine sculptures, and captivated by the female form he became famed for his shapely dancing girls with long, elegant legs and closed eyes. These pieces of his were signed "Enzl", "Lor", "R. Lor", "Renz" or "Renzl". Occasionally the name "Crejo" appears on his pieces, Crejo having been a painter and one of Lorenzl's friends, and who sometimes applied colour to the pieces. These joint works are sought-after items. The large majority of Lorenzl's figurines were attached to Brazilian green onyx plinths.
 
Lorenzl's talents also extended to being a gifted ceramicist. He produced pieces for Goldscheider, working from a studio on company grounds. As with his chryselephantine pieces, his ceramic works were in great demand and became the embodiment of the Art Déco period. Famous amongst these is "The Butterfly Girl" after the famous dancer Niddy Impekoven from the 1920s. Lorenzl also worked for two other Viennese firms, Porzellanfabrik Hertwig & Co. and Keramos Porcelain.
 
'Keramos' or 'Wiener Kunst-Keramik und Porzellan Manufaktur AG' was founded in 1910 by several disabled war veterans, subsidised by Austria and later became a public company, directed by Otto Köller, and Rudof and Heinrich Wolf. It was located in Schwarze Adlerstiege, while the factory operated from 17 Schleiergasse.

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.