Antique French Bronze Sculpture of Lioness by Louis Riche Circa 1910

Ref: A3840

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This is a beautiful antique bronze sculpture of a lioness by the renowned French sculptor Louis Riche (1877 - 1947), circa 1910 in date.

The sculpture depicts a recumbent lioness raised on a stepped rectangular base, signed L Riche and inscribed Med. d’or, E Algrain, Paris.

The lioness has her front paws neatly outstreched with back paws to the side with a curled up tail.

This high-quality hot cast solid bronze was produced using the traditional "lost wax" process, otherwise known as the "cire perdue" method.

This is a splendid antique bronze sculpture which is sure to receive the maximum amount of attention wherever it is placed.

Condition:

In excellent condition with no dings, dents or signs of repair. Please see photos for confirmation.

Dimensions in cm:

Height 23 x Width 45 x Depth 22

Dimensions in inches:

Height 9 inches x Width 1 foot, 6 inches x Depth 9 inches

Louis Riché (1877 – 1949)
was born in Paris France on May 29th 1877. His first exhibit at the Salon in Paris was in 1896 at the age of nineteen. Riché sculpted many animal subjects but his favourite models were German Shepherd Dogs at which he is considered the Master at reproducing. He continued exhibiting at the Salon and except for the interruptions of both World Wars he continued to create his artistic subjects. He worked mostly with the Thiebault Freres foundry for the casting of his models but it is noted that some of his sculptures of lions were cast in silver by Risler et Carré.

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: A3840

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