Antique Pair Italian Grand Tour Campana Urns 19th C

Ref: A3719

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A superb antique pair of Italian Grand Tour patinated bronze Campana urns, circa 1870 in date.

This superb pair of patinated bronze campana urns are after the Borghese models with classical relief decoration with beaded rims raised on Siena Marble stepped pedestal bases.

This high quality hot cast solid bronze was produced using the traditional "lost wax" process, otherwise known as the "cire perdue" method.

The craftsmanship is second to none throughout all aspects of this pair and they are sure to add an unparalleled touch of class to your home.

Provenance:

House on Belgrave Square, London

Condition:

In excellent condition, please see photos for confirmation.

Dimensions in cm:

Height 40 x Width 31 x Depth 52

Dimensions in inches:

Height 1 foot, 4 inches x Width 1 foot x Depth 1 foot, 8 inches

Belgrave Square
Known to be one of the most prestigious addresses in the country, Belgrave Square has been famous since it’s development in the mid 19th century, commissioned by the 2nd Earl Grosvenor, late 1st Marquess of Westminster and contracted/built by Thomas Cubitt and George Basevi respectively.

Whilst the majority of properties are now embassies or headquarters for international businesses or charities, very few remain as private houses, including this house which Bellmans have been instructed to sell the contents on behalf of the current owners.

The Grand Tour
was the traditional trip of Europe undertaken by mainly upper-class European young men of means. The custom flourished from about 1660 until the advent of large-scale rail transit in the 1840s, and was associated with a standard itinerary.

It served as an educational rite of passage. Though primarily associated with the British nobility and wealthy landed gentry, similar trips were made by wealthy young men of Protestant Northern European nations on the Continent, and from the second half of the 18th century some South American, U.S., and other overseas youth joined in. The tradition was extended to include more of the middle class after rail and steamship travel made the journey less of a burden.

The primary value of the Grand Tour, it was believed, lay in the exposure both to the cultural legacy of classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A grand tour could last from several months to several years. It was commonly undertaken in the company of a knowledgeable guide or tutor.

The Grand Tour not only provided a liberal education but allowed those who could afford it the opportunity to buy things otherwise unavailable at home, and it thus increased participants' prestige and standing. Grand Tourists would return with crates of art, books, pictures, sculpture, and items of culture, which would be displayed in libraries, cabinets, gardens, and drawing rooms, as well as the galleries built purposely for their display; The Grand Tour became a symbol of wealth and freedom.

Lost Wax Method
sometimes called by the French name of cire perdue or the Latin, cera perduta is the process by which a bronze or brass is cast from an artists sculpture.

In industrial uses, the modern process is called investment casting. An ancient practice, the process today varies from foundry to foundry, but the steps which are usually used in casting small bronze sculptures in a modern bronze foundry are generally quite standardised.

Siena Marble
The natural beauty of Italian Siena marble has been prized for its luster and natural beauty throughout history. Giallo Siena marble was formed eons ago when limestone was subjected to intense pressure and heat. The calcite crystals formed like millions of tiny gems locked together, giving the natural Giallo Siena marble its beautiful luster.

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: A3719

Please feel free to email or call us (+44 20 8809 9605) to arrange a viewing in our North London warehouse.

Shipping:

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We require that someone be home on the agreed delivery day if applicable, otherwise a redelivery fee will apply.

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The item must be returned in its original packaging and condition.

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Buyers are fully responsible for any customs duties or local taxes that may be incurred on items sent outside of the United Kingdom, and we are not responsible for any delays in shipping or in the customs procedures of any jurisdiction, which are completely beyond our control.

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