Vintage Magnificent Large Pair of Cast Bronze Medici Lions Late 20th Century

Ref: 09758a

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This is a historically interesting bronze sculpture of a pair of lions after the original Medici Lions placed at the Villa Medici, Rome. This pair dating from the second half of the 20th Century.

The lions are sitting on their haunches with one front paw on a sphere, and they are facing right and left with their tails on opposite sides. They feature beautifully toned muscles and sleek detailed manes, which signifies their masculinity and reflects their health. 
 
This high-quality hot cast solid bronze pair was produced using the traditional "lost wax" process, otherwise known as the "cire perdue" method.
 
It is a majestic pair which will look lovely equally at home indoors or outdoors. 


Condition:

In excellent condition, please see photos for confirmation.

 

Dimensions in cm:

Height 96 x Width 43 x Depth 95

Dimensions in inches:

Height 3 foot, 2 inches x Width 1 foot, 5 inches x Depth 3 feet, 1 inch

Lost Wax Method
sometimes called by the French name of cire perdue or the Latin, cera perduta is the process by which a bronze or brass is cast from an artists sculpture.

In industrial uses, the modern process is called investment casting. An ancient practice, the process today varies from foundry to foundry, but the steps which are usually used in casting small bronze sculptures in a modern bronze foundry are generally quite standardised.

The Medici lions are a pair of marble sculptures of lions, one of which is Roman, dating to the 2nd century AD, and the other a 16th-century pendant; both were by 1598 placed at the Villa Medici, Rome. Since 1789 they have been displayed at the Loggia dei Lanzi in Florence. The sculptures depict standing male lions with a sphere or ball under one paw, looking to the side.

Copies of the Medici lions have been copied and publicly installed in over 30 other locations, and smaller versions made in a variety of media; Medici lion has become the term for the type.

The Albani lion, a similar ancient sculpture, now at the Louvre

A similar Roman lion sculpture, of the 1st century AD, is known as the Albani lion, and is now in the Louvre. Here, the stone used for the ball is different from the basalt body. Both may derive from a Hellenistic original.

 

The form of the traditional Chinese guardian lions became standardized during the Ming dynasty to feature a lion sitting back with one front paw on a sphere. Another variant of the theme, standing with its tail more erect, tops the Lion's Mound memorial on the battlefield of Waterloo.

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: 09758a

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