Antique Victorian Inlaid Burr Walnut Loo Table 19th Century

This is a charming English, Victorian, burr walnut loo table, attributed to Holland & Sons, circa 1835 in date.

There is no mistaking this is the work of a master craftsman, which is certain to become a treasured addition to your antique furniture collection, not to mention the proud centrepiece in your reception room.

The table top is circular in shape and of striking burr walnut, which has been line inlaid with satinwood crossbanding and marquetry decoration, and raised on an ormolu mounted walnut three legged base fitted with recessed castors, typical of the work of Holland & Sons.

The table is secured to the base with a brass catch, which can be released so that the top can be stood on end. This can be useful if you need the space for a party.

A Loo table was used for playing the popular Victorian card game Loo. However, it is extremely versatile and can be placed in your bedroom, living room, dining room, office or reception.
 

 

Holland & Sons

The firm of Holland & Sons (1803–1942) became from 1843 one of the largest and most successful cabinet makers, and a rival to Gillows of Lancaster and London.

The company's labelled Day books are now housed in the Victoria and Albert Museum Archive of Art and Design where they present a virtual 'who's who' of nineteenth century society.

Established in 1803 by Stephen Taprell and William Holland, a relation of the architect Henry Holland. Always on the leading edge of fashion, Holland & Sons employed some of England's foremost designers and participated in all of the International Exhibitions of 1851, 1855, 1862, 1867, 1872 and 1878. Holland and Sons also participated in many of the leading international exhibitions including London in 1862, Vienna in 1873 and Paris in 1867 and 1872.

After a brief period in which the company was known as Taprell, Holland & Son c.1835-43, William Holland gained sole command after the senior partner Taprell's retirement. From 1843 onwards they were known as Holland and Sons. The relationship between builder and cabinet maker is similar to another leading Victorian firm, Trollope and Sons.

Their earliest known commission was to furnish the Athenaeum Club, London, 1824- 1838. They also worked alongside the prestigious firm of Thomas Dowbiggin at Osborne House, and eventually took over their premises and business at 23 Mount Street, London in 1851 and 1853 respectively. In 1851, when the company was based in Mount Street and employed 351 people, they won a prize at the Great Exhibition for a bookcase. By then, after being granted a Royal Warrant of Appointment (United Kingdom) early in the reign of Queen Victoria, they had already taken a leading part in the decoration and furnishing of Osborne House, Sandringham House, Balmoral Castle, Windsor Castle and the apartments of the Prince and Princess of Wales at Marlborough House, executing numerous exceptional pieces of furniture. Holland and Sons also executed over three hundred separate commissions for the British Government, including the Palace of Westminster, the Victoria and Albert Museum, and oversaw the State funeral of Arthur Wellesley, 1st Duke of Wellington. One of their celebrated private commissions was a suite of bedroom furniture for the late Sir Harold Augustus Wernher, 3rd Baronet at Luton Hoo. During the latter half of the 19th century, Holland and Sons also supplied furniture for such notable London clubs as the Reform Club and the Oxford and Cambridge Club. Along with Gillows they shared the commission for the new Palace of Westminster.

Walnut & Burr Walnut

Walnut is a hard, dense, tight- grained wood that polishes to a very smooth finish. It is a popular and attractive wood whose colour ranges from near white in the sapwood to a dark hew in the heartwood. When dried in a kiln, walnut wood tends to develop a dull brown colour, but when air-dried can become a rich purplish-brown. Because of its colour, hardness and grain, it is a prized furniture and carving wood. Walnut veneer was highly priced and the cost would reflect the ‘fanciness’ of the veneer – the more decorative, then the more expensive and desirable.

Burr walnut refers to the swirling figure present in nearly all walnut when cut and polished, and especially in the wood taken from the base of the tree where it joins the roots. However the true burr is a rare growth on the tree where hundreds of tiny branches have started to grow. Burr walnut produces some of the most complex and beautiful figuring you can find.

Walnut "burrs" were often used to make fabulous furniture.  Veneer sliced from walnut burl is one of the most valuable and highly prized by cabinet makers and prestige car manufacturers and is also a favourite material for shotgun stocks.
 

Ormolu - Gilt Bronze (from French 'or moulu', signifying ground or pounded gold) is an 18th-century English term for applying finely ground, high-carat gold in a mercury amalgam to an object of bronze.The mercury is driven off in a kiln leaving behind a gold-coloured veneer known as 'gilt bronze'.

The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of nitrate of mercury is applied to a piece of copper, brass, or bronze, followed by the application of an amalgam of gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object.

After around 1830 because legislation had outlawed the use of mercury other techniques were used instead. Electroplating is the most common modern technique. Ormolu techniques are essentially the same as those used on silver, to produce silver-gilt..

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.