Vintage Large 9ft x 6ft3" Oval Flame Mahogany Jupe Dining Table 20thC

Ref: A3523

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A superb oval flame mahogany and crossbanded  replica of Robert Jupe's flame mahogany extending dining table, dating from the second half of the 20th century.

The flame mahogany veneers on the top have been arranged so as to give a striking sunburst effect and it is finished off by the elegant goncalo alves, ebony and birds eye maple  crossbanding on the outside edge.

The brass capstan action rotating four segments to accommodate four additional leaves, over a stunning substantial central pillar with four outset turned columns, raised on an incurved decorative platform with brass capped block feet that gives this table it's superb stability.

The table can seat twelve when extended and eight when the top is retracted. It comes complete with a freestanding, lockable, lancet topped baize lined leaf cabinet to store the leaves when they are not required.

An oval table is the perfect choice for those who have limited space in their dining room.  The oval shape will open up your floor space allowing guests to easily walk around your room.    It is a great round table substitute if your space is slightly off square and on the smaller size. 


This fascinating table illustrates all the very best elements of English cabinet-making combined with the remarkable burst of inventiveness of the Industrial Revolution. It was not until John Johnstone and Robert Jupe patented their ingenious design in March 1835 for an expanding round table,that round dining tables, which had suffered from the problem of not offering flexibility of seating, could compete with the established rectangular extending dining tables.
 
There is no mistaking the fine craftsmanship of this handsome table, which is certain to become a treasured addition to your furniture collection, and a talking point with guests at meal times.
 
 
 
Condition:

In excellent condition having been beautifully cleaned, polished and waxed in our workshops, please see photos for confirmation.

Dimensions in cm:

Height 75 x Width 275 x Depth 192 - Fully Extended

Height 75 x Width 225 x Depth 146 - With all 4 eaves removed

Height 145 x Width 23 x Depth 57 - Leaf Cabinet

Dimensions in inches:

Height 2 foot, 5 inches x Width 9 foot x Depth 6 foot, 4 inches - Fully Extended

Height 2 foot, 5 inches x Width 7 foot, 5 inches x Depth 4 foot, 9 inches - With all 4 eaves removed

Height 4 foot, 9 inches x Width 9 inches x Depth 1 foot, 10 inches - Leaf Cabinet

Thomas Sheraton - 18th century furniture designer, once characterized mahogany as "best suited to furniture where strength is demanded as well as a wood that works up easily, has a beautiful figure and polishes so well that it is an ornament to any room in which it may be placed." Matching his words to his work, Sheraton designed much mahogany furniture. The qualities that impressed Sheraton are particularly evident in a distinctive pattern of wood called "flame mahogany."

The flame figure in the wood is revealed by slicing through the face of the branch at the point where it joins another element of the tree.

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: A3523

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