Antique French Napoleon III Tantalus Cave a Liqueur 19th Century

Ref: A3477

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This is an exquisite antique French Napoleon III birdseye maple Tantalus Cave a Liqueur, circa 1860 in date. 

It features brass inlaid decoration on the top and front with tulip wood banding. The hinged lid and the hinged sides open to reveal a lift-out  stand fitted with four liquor decanters and stoppers and sixteen  glasses.

Complete with original working lock and key, i
t is an absolutely superb set which is sure to attract a lot of attention.

 

Condition:

In excellent condition, please see photos for confirmation of condition.
Complete with 14 original glasses and 2 that have been added later.

 

Dimensions in cm:

Height 41 x Width 31 x Depth 23

Dimensions in inches:

Height 1 foot, 4 inches x Width 1 foot x Depth 9 inches

 Tantalus

is a type of liquor decanter in which the bottle stoppers are locked down tightly by a metal bar. This was to prevent the theft of the contents by servants. Like the name suggests, the decanters themselves are visible, drawing temptation while unattainable. A key is required for entry.

The most common types of tantalus holds three bottles or decanters while there are also smaller types housing only two. There are many different forms of tantalus. Often the encasement has metal handles on both sides and ornately carved decor. Crystal and metal versions are also a beautiful option when choosing a tantalus.

Tantalus derived its name from the story of the mythological Greek king, Tantalus. To be tantalized is to be tempted with the unattainable, and the king, condemned to an eternity in Hades, was sorely tested. He was forced to stand forever in water that, when he bent to drink, would recede and to gaze upon foods he could only reach for and never grasp.

The 1800s saw our Victorian predecessors apply the King’s name to the lockable decanter.

 

Birdseye Maple 

occurs primarily in Sugar Maple and is a very hard wood with divergent grain structure caused by the presence of the Birdseyes.

In the days when all furniture was made essentially by hand, Birdseye Maple was used by only the most capable cabinetmakers. These artisans had developed the tools and skills to work and finish Birdseye Maple successfully. Antique furniture made out of Birdseye Maple is rare and beautiful.

The divergent grain that makes Birdseye Maple beautiful also makes it difficult to work. Early woodworking machines ran at low rpms and had only 2 knives per cutterhead. This often produced Birdseye surfaces that were chipped and torn. It took many hours of hand planing and scraping to get these surfaces to a high sheen.

This limited the use of Birdseye maple to projects whose value could justify the extra labour cost. Examples of this are fine furniture and musical instruments.

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: A3477

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