Antique Porcelain & Ormolu Zell Hammersbach Vase 19th C

Ref: A3475

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This is a superb porcelain & ormolu mounted Zell Hammersbach vase, with makers mark and dated 1882.

This vase comes from the small German town of Zell am Harmersbach, between the Black Forest and the Rhine. This town has a long history of making ceramics, and there are many different types made there.

It is a beautiful object which will look fabulous in most surroundings.

Condition:

In excellent condition with no chips, cracks or signs of repair, please see photos for confirmation of condition.

Dimensions in cm:

Height 35 x Width 13 x Depth 13

Dimensions in inches:

Height 1 foot, 2 inches x Width 5 inches x Depth 5 inches

The origins of the factory in Zell can be traced back to October 22nd 1794, when Josef Anton Burger established an earthenware factory in that location. His products were an instant success and in 1802, the businessman Jakob Ferdinand Lenz from Lahr joined Burger as partner. Lenz was quite wealthy and had lived in England for a few years where he had gathered ideas for high-quality stoneware and fajence products. In 1805, he also convinced two other wealthy businessmen from Lahr to invest in the company. So Georg Schnitzler and David Knoderer joined as partners and the financial boost allowed the factory to expand and try out new ideas, mainly based on ideas from Burger.

By the middle of the 19th century, the demand for stoneware in Germany stagnated and shifted to porcelain more and more. When Burger retired, the other partners of the Zell factory had already adapted to the new situation and half of the capacity had been switched to porcelain production as early as 1842, using kaolin that was transported by horse and cart from the famous Limoges area in France. On short notice and not far apart from each other at first Knoderer and then Schnitzler retired, leaving the factory to Lenz.
After belonging to Lenz for some time the factory was taken over by the aging businessman Carl Schaaff who started business in 1807 and was by now leaving the company in the hands of a board of directors who continued leading the company. In 1899, both this factory was slightly damaged by a massive fire that broke out in the middle of the town. Just as the townsfolk had managed to repair most damage another blaze in 1904 damaged both factories yet again, this time nearly forcing the directors to quit and file for bankruptcy. They managed to continue until 1907 and then finally accepted when Georg Schmider offered to take over the factory.

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: A3475

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Shipping:

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We require that someone be home on the agreed delivery day if applicable, otherwise a redelivery fee will apply.

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Buyers are fully responsible for any customs duties or local taxes that may be incurred on items sent outside of the United Kingdom, and we are not responsible for any delays in shipping or in the customs procedures of any jurisdiction, which are completely beyond our control.

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