Antique Painting "Sunset at Low Tide" William Langley 19th Century

Ref: A3411

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This is a beautiful English antique oil on canvas paintings of "Sunset at Low Tide"by William Langley (English, 1852-1922), and signed lower left.

The paintings depdict sailing boats at sea, with fishermen and boats on the beach.
 
The artist has used a very delicate palette of colours and has succeeded in adding some mystery to the scene.


Housed in a beautiful giltwood  frame.

Several examples of his work have sold at top auction houses:



Condition:

In really superb condition the paintings and frames having been beautifully cleaned, please see photos for confirmation.

Dimensions in cm:

Height 41 x Width 61 x Depth 5 - Frame

Height 29 x Width 49 - Canvas

Dimensions in inches:

Height 1 foot, 4 inches x Width 2 foot x Depth 2 inches - Frame

Height 11 inches x Width 1 foot, 7 inches - Canvas

Langley William
William Langley was a nineteenth century British landscape painter. One of his favourite subjects were Scenes of the Scottish Highlands often featuring cattle. 
'Painter in oil of rural landscapes and coastal scenes who was working in the early 1900s. The subjects of this prolific artist included views in Cornwall, the South of England, Wales, Scotland and Ireland. Among the titles of known works are 'On the Lledr', 'Wee Bridge, Killarney', 'In the Glen', and 'Sunshine after Rain, a Village in the Thames'. The work shows a distinct similarity to that of several artists working at the time and the signature could possibly be a pseudonym. The pictures are often large and decorative and have become increasingly popular in recent years.'
  

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: A3411

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