Antique Pair Monumental 4ft Ormolu Mounted Malachite Obelisks on Stands C1920

Ref: A3241a

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A monumental pair of Neoclassical ormolu mounted malachite obelisks on mahogany  pedestals, Circa 1920 in date.

The square conforming malachite columns taper to pyramid shapes with applied decorative gilt ormolu mounts.

The obelisks stand on malachite  stepped plinth bases that are decorated with impressive ormolu mounts and raised on decorative ormolu feet.

They stand on a pair of antique Empire Revival ormolu mounted mahogany  pedestals with square stepped tops over gilt reeded friezes on rectangular column decorated with satin wood crossbanding and ormolu rosettes palmette mounts.

There is no mistaking the quality of this masterpiece which is sure to be a treasured addition to your home.
 

Condition:

In really excellent condition, please see photos for confirmation.

Dimensions in cm:

Height 222 x Width 34 x Depth 34

Dimensions in inches:

Height 7 foot, 3 inches x Width 1 foot, 1 inch x Depth 1 foot, 1 inch

Malachite is an opaque, green banded mineral. It is believed to be a strong protector of children. It protects the wearer from accidents and protects travellers. Malachite has been used to aid success in business and protect against undesirable business associations. It is a stone of balance in relationships.

Malachite is always green, usually in banded tones varying from very dark green to a mellow green. Most malachite comes from Zaire, Chile and Australia.

Ancient Egyptians, Greeks and Romans used malachite for jewellery and ground it to use as eye shadow. It is used in amulets to protect against the evil eye. In the Middle Ages it was used to protect children from witches and other dangers. 
 

Ormolu - Gilt Bronze (from French 'or moulu', signifying ground or pounded gold) is an 18th-century English term for applying finely ground, high-carat gold in a mercury amalgam to an object of bronze.The mercury is driven off in a kiln leaving behind a gold-coloured veneer known as 'gilt bronze'.

The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of nitrate of mercury is applied to a piece of copperbrass, or bronze, followed by the application of an amalgam of gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object.

 

After around 1830 because legislation had outlawed the use of mercury other techniques were used instead. Electroplating is the most common modern technique. Ormolu techniques are essentially the same as those used on silver, to produce silver-gilt..

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: A3241a

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