Antique Art Deco Satinwood Cocktail Cabinet by Hille & Glassware C1920

Ref: A2773a

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This is a fantastic antique Art Deco satinwood demi lune cocktail cabinet by Hille and suit of Cut Crystal Glasses circa 1920 in date.


It is of architectural form, made in figured satinwood, the upper part comprises a pair of doors enclosing a fitted maple and mirrored interior with a pull out slide, over a lower part with two doors that open to house the bottles. It is fitted with lights top and bottom that have been rewired so as to be in working order and comes complete with a suite of cut crystal glasses to include:

1x Decanter
6x Champagne Glasses
6x Wine Glasses
4x Sherry Glasses
2x Nut Bowls
1x Fitted juicer
Cocktail sticks
 

There is no mistaking the timeless appeal of this highly collectable item. This cocktail bar would be a wonderful addition to your lounge or family room and is sure to get noticed wherever it is placed.


Condition:

In excellent condition, please see photos for confirmation.

 

Dimensions in cm:

Height 169 x Width 107 x Depth 56

Dimensions in inches:

Height 5 foot, 6 inches x Width 3 foot, 6 inches x Depth 1 foot, 10 inches

Satinwood 
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia. 

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies. 

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.


The Hille furniture company was started in the East End of London in 1906 by Salamon Hille, a Russian emigrant, to renovate and reproduce eighteenth century furniture.

The focus of the business was very much quality rather than large volumes, employing skilled craftsmen and gaining customers such as Hamptons, a well known furniture store, amongst others.

By the 1930’s the company had established an international reputation supplying products all over the world. Salamon's daughter, Ray, subsequently joined and worked with the company to produce furniture to original designs. In 1932, Salamon retired and Ray took over the the business with Hille becoming a Limited company that year under her leadership.

In 1940 tragedy struck as Salamon Hille died, followed by the destruction of the North London home, factory and stores. The war had already been a challenge with reduced numbers of commissions and a restriction on timber to furniture makers. Under Ray Hille’s leadership Hille were recommended by the curator of the Victoria & Albert Museum to the City Guildhalls to repair bomb damaged furniture, collecting it in a hired van. With new timber being unobtainable, old furniture was sourced and the wood used and re-worked. Old employees came back from the war and in 1945 the business moved to Lea Bridge Road, Leytonstone, and Ray Hille was re-joined by husband Maurice, daughter Rosamind, son-in-law Leslie Julius and then later by Leslie’s army colleague John Collier.

Due to the restrictions in the UK, quality furniture could only be made for overseas customers so Hille’s only option was to focus on export markets. Following visits to the US Hille built up a suitable customer base. Export was to become a permanent feature for Hille from then on.

In 1950 Hille moved to premises in Hainault but almost immediately the 1951 financial crisis hit resulting in the factory having to move to an old brewery in Watford. The company recovered and in 1961 Hille opened its new offices designed by Hungarian-born modernist architect Ernö Goldfinger who was best known for designing the Elephant and Castle development.

1961 also saw Ray Hille’s second daughter Cherill Scheer joining Hille, adding a new generation to Hille’s management. Her work drove Hille’s marketing, most notably the promotion of the original Polyside chair in 1963, sending out a line drawing of a stork to major government buyers, architects and designers alerting them to the following first samples of the polyside chair with some 600 units then sent out – a marketing campaign which subsequently led to the sale of millions of units in the years that followed. The company is still in operation today.


Art Deco or Deco,
is an influential visual arts design style which first appeared in France during the 1920s, flourished internationally during the 30s and 40s.

It is an eclectic style that combines traditional craft motifs with Machine Ageimagery and materials. The style is often characterized by rich colours, bold geometric shapes, and lavish ornamentation.

Deco emerged from the Interwar period when rapid industrialization was transforming culture. One of its major attributes is an embrace of technology. This distinguishes Deco from the organic motifs favored by its predecessor Art Nouveau.

Historian Bevis Hillier defined Art Deco as "an assertively modern style...[that] ran to symmetry rather than asymmetry, and to the rectilinear rather than the curvilinear; it responded to the demands of the machine and of new material...[and] the requirements of mass production".

During its heyday Art Deco represented luxury, glamour, exuberance, and faith in social and technological progress.



Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: A2773a

Please feel free to email or call us (+44 20 8809 9605) to arrange a viewing in our North London warehouse.

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Buyers are fully responsible for any customs duties or local taxes that may be incurred on items sent outside of the United Kingdom, and we are not responsible for any delays in shipping or in the customs procedures of any jurisdiction, which are completely beyond our control.

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