Antique Ormolu Mounted Pietra Dura Jewellery Cabinet 19th C

Ref: A2707a

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This is an absolutely fabulous antique French engraved ormolu and Pietra Dura mounted jewellery cabinet, Circa 1860 in date.

The casket is in the form of a cabinet, with three fitted jewellery compartments on the top,  the central compartment  is superbly inset with  an ornate oval inset pietra dura mount, with a lidded compartment to each side. 

The bow-sided breakfront design with figural supports, with side doors each enclosing a  blue glass perfume bottle with a pietra dura lid, and hinged doors fitted with further exquisite pietra dura panels that open to reveal two small drawers, the interior compartmnts of the cabinet  have all been relined in grey silk.

This item is of superb quality with fabulous engraved decoration, is extremely rare and will instantly enhance any desktop.

Condition:

In excellent condition having been cleaned polished and relined in our workshops, with  no dings, dents or signs of repair. Please see photos for confirmation.

 

Dimensions in cm:

Height 22 x Width 22 x Depth 13

Dimensions in inches:

Height 9 inches x Width 9 inches x Depth 5 inches

Pietra dura is a term for the inlay technique of using cut and fitted, highly polished coloured stones to create images. It is considered a decorative art.
Pietre dure is an Italian plural meaning "hard rocks" or hardstones; the singular pietra dura is also encountered in Italian. In Italian, but not in English, the term embraces all gem engraving and hardstone carving, which is the artistic carving of three-dimensional objects in semi-precious stone, normally from a single piece, for example in Chinese jade.
The traditional convention in English has been to use the singular pietra dura just to denote multi-colored inlay work. However, in recent years there has been a trend to use pietre dure as a term for the same thing, but not for all of the techniques it covers, in Italian.
 But the title of a 2008 exhibition at the Metropolitan Museum of Art, New York, Art of the Royal Court: Treasures in Pietre Dure from the Palaces of Europe used the full Italian sense of the term, probably because they thought that it had greater brand recognition. The material on the website speaks of objects such as a vase in lapis lazuli as being examples of "hardstone carving (pietre dure)"
The Victoria & Albert Museum in London uses both versions on its website, but uses pietra dura. "A method of inlaying coloured marbles or semi-precious stones into a stone base, often in geometric or flower patterns...."
Giovanni Montelatici (1864-1930) was an Italian Florentine artist whose brilliant work has been distributed across the world by tourists and collectors. Owners of Giovanni's work included Donald Trump.


Ormolu - (from French 'or moulu', signifying ground or pounded gold) is an 18th-century English term for applying finely ground, high-carat gold in a mercury amalgam to an object of bronze.The mercury is driven off in a kiln leaving behind a gold-coloured veneer known as 'gilt bronze'.

The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of nitrate of mercury is applied to a piece of copperbrass, or bronze, followed by the application of an amalgam of gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object.

After around 1830 because legislation had outlawed the use of mercury other techniques were used instead. Electroplating is the most common modern technique. Ormolu techniques are essentially the same as those used on silver, to produce silver-gilt..

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: A2707a

Please feel free to email or call us (+44 20 8809 9605) to arrange a viewing in our North London warehouse.

Shipping:

We ship worldwide and deliver to Mainland UK addresses free of charge.

A shipping cost to all other destinations must be requested prior to purchase.

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We require that someone be home on the agreed delivery day if applicable, otherwise a redelivery fee will apply.

In accordance with Distance Selling Regulations, we offer a 14-day money back guarantee if you are not satisfied with the item.

The item must be returned in its original packaging and condition.

Unless the item is not as described in a material way, the buyer is responsible for return shipping expenses.

Buyers are fully responsible for any customs duties or local taxes that may be incurred on items sent outside of the United Kingdom, and we are not responsible for any delays in shipping or in the customs procedures of any jurisdiction, which are completely beyond our control.

Please be advised that claims for damage with certain carriers can sometimes take several months to resolve, and we would be grateful for your patience and cooperation throughout the process.

Returns will be processed and refunds issued within 2-3 business days of receipt.

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