Antique Dutch School Floral Still Life Oil Painting Framed Late 18th C

Ref: A1998

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This is a magnificent antique Dutch School floral still life oil on canvas painting with a stunning gilt gesso frame, late 18th century in date.

This splendid painting is rectangular in shape and features brightly illuminated pastel-tinted roses and bi-coloured Carnations and Honeysuckle arranged against a ruined wall with trees in the background. 

Great attention has been paid to individual elements in the bouquet. Indeed each petal has been painted with diligent conscientious precision. 
 
It is housed in its magnificent original giltwood frame.
 
Add this splendid antique Dutch painting to a very special wall in your home. 

Provenance:

Property of Archibald Stirling of Keir
 


Condition:

In excellent condition the painting and frame having been beautifully cleaned in our workshops, please see photos for confirmation.

Dimensions in cm:

Height 55 x Width 88 x Depth 5 - frame

Height 39 x Width 72 - Canvas

Dimensions in inches:

Height 1 foot, 10 inches x Width 2 foot, 11 inches x Depth 2 inches - frame

Height 1 foot, 3 inches x Width 2 foot, 4 inches - Canvas

Archibald Hugh Stirling,

Laird of Keir (born 18 September 1941) is a Scottish theatrical producer, a former officer in the Scots Guards,and Laird of the Keir estate at Lecropt in the Stirling council area in Scotland.





A still life is a work of art depicting mostly inanimate subject matter, typically commonplace objects which may be either natural food, flowers, dead animals, plants, or man-made drinking glasses, books, vases, jewelry.
With origins in the Middle Ages and Ancient Graeco-Roman art, still-life painting emerged as a distinct genre and professional specialisation in Western painting by the late 16th century, and has remained significant since then. A still life form gives the artist more freedom in the arrangement of elements within a composition than do paintings of other types of subjects such as landscape or portraiture.

Still life, as a particular genre, began with Netherlandish painting of the 16th and 17th centuries. Early still-life paintings, particularly before 1700, often contained religious and allegorical symbolism relating to the objects depicted. Some modern still life work breaks the two dimensional barrier and employs three dimensional mixed media, and uses found objects, photography, computer graphics, as well as video and sound.
The term includes the painting of dead animals, especially game. Live ones are considered animal art, although in practice they were often painted from dead models. The still life category also shares commonalities with zoological and especially botanical illustration, where there has been considerable overlap among artists.
Generally a still life includes a fully depicted background, and puts aesthetic rather than illustrative concerns as primary.

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: A1998

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