Antique Set of 3 Sterling Silver Candlesticks William Gibson & John Langman 1895

Ref: A1037

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This is a wonderful set of three antique English Victorian sterling silver candlesticks bearing the makers' marks of the renowned silversmiths William Gibson & John Langman, London, and dating 1895.

 

Each of these splendid classically style candlesticks features an exquisite oval urn-shaped nozzle on stylish knopped and tapering stems. 

 

They retain their original detachable push fit sconces with beautiful reed decoration to the rim.

 

The attractive oval weighted bases replicate the shaped form of the sconces and are similarly embellished with reed decorations to the edges.

 

Each candlestick bears the full hallmarks: Lion passant for sterling silver, the lion head for London, the letter 'U' for 1895, the makers' marks 'WG JD' for 'William Gibson & John Langman' as well as the British Registry Design number 'Rd 273055' and a further registration number '11542'.

 

Provenance:

Presented to Ella Sieveking on her marriage. She studied art at the Slade School with Hubert Herkomer and became the first woman Vice President of Morley College, Lambeth.

 

Add a classic elegant element to your dining experience with these high quality and very tasteful antique candlesticks.

 

Condition:

In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation.

 

Dimensions in cm:

Height 19 x Width 10 x Depth 8

Dimensions in inches:

Height 7 inches x Width 4 inches x Depth 3 inches

William Gibson & John Langman
The firm was established in 1880 by William Gibson (d. 1913) and John Lawrence Langman (1846-1928).
The firm was active at 112 Regent Street, London acquiring the premises previously used by John Joseph Mechi.
In 1893 the firm absorbed The Goldsmiths' Alliance Ltd (late A.B. Savory & Sons) and in 1898 became the Goldsmiths & Silversmiths Co Ltd being active as jewellers, dealers in diamonds and precious stones, silversmiths, electroplaters and watch and clock makers.
In 1952 Goldsmiths & Silversmiths Co Ltd was amalgamated with Garrard & Co Ltd.
The firm participated to a number of national and international exhibitions, as Indian and Colonial Exhibition (London, 1886), Paris (1889), Chicago (1893), California (1894), Paris (1900) and Franco-British Exhibition (London, 1908).
The Goldsmiths & Silversmiths Co was active with manufactories at Newcastle Place, Clerkenwell; Regent Works, Sheffield and Rue St George, Paris and as retailer of items supplied by various British gold and silver manufacturers (Martin Hall & Co Ltd, W&G Sissons, Wakely & Wheeler, William Comyns, Harrison Brothers & Howson, etc.)

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: A1037

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