Antique Map of Italy drawn & engraved by R. Scott for Thomsons, Edinburgh 1814

Ref: 09729

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This is a magnificent museum quality antique hand-coloured map of Italy, dating from 1814.

This historic and very rare map was drawn and engraved by R. Scott for Thomsons, New General Atlas, Edinburgh. 

The map is very detailed and the various colours - yellow, grey and green - beautifully highlight the different natural and political divisions of Italy as it was before the Italian Unification which was completed in 1870.

The top right corner has a further small map of the Island of Elba which is accentuated in red.

It is signed 'R. Scott Sculpt.' in the bottom right corner and is numbered '26'.

This map is very clean and is set in a beautiful ebonised and gilded frame.

Add this fascinating antique map to a special wall in your home and this historic fine art will decorate your wall for years to come.


Condition:

In excellent condition, please see photos for confirmation of condition.

Dimensions in cm:

Height 77.5 x Width 60 x Depth 2

Dimensions in inches:

Height 2 foot, 6 inches x Width 2 feet x Depth 1 inch

Robert Scott (13 November 1777–1841) was a Scottish engraver. The son of Grizell and Robert Scott, he was born on 13 November 1777 at Lanark, where his father was a skinner. He attended the grammar school at Musselburgh, and at the age of ten was articled to Andrew Robertson, an engraver at Edinburgh; there he also worked in the Trustees' Academy. Among his pupils were John Burnet, John Horsburgh, and James Stewart. He died early in 1841.

Scott first became known for some plates in James Anderson of Herminston's The Bee for 1793 and 1794, and a set of Views of Seats and Scenery chiefly in the Environs of Edinburgh, from drawings by Alexander Carse and Andrew Wilson, published in 1795 and 1796. He made the most of his abilities, and was known in his day for his small book illustrations; he carried on a manufactory in Parliament Stairs, Edinburgh, employing many assistants.

Scott's most significant work was in landscape. He engraved the illustrations to George Barry's History of the Orkney Islands, 1805, and to Scenery of Allan Ramsay's Gentle Shepherd, 1808; he also for many years contributed plates to the Scots Magazine, and put in the landscape backgrounds of some of those for John Bell's Poets of Great Britain.

He was employed by Henry Mozley, publisher at Gainsborough (the father of Thomas Mozley and James Bowling Mozley), for whose edition of James Thomson's The Seasons (1804), he engraved four plates after John Burnet. Scott's last work was a set of twenty views of ‘Scenery of Edinburgh and Midlothian,’ 1838, from drawings by his son, William Bell Scott. By his final years he had obtained a prestigious studio at 65 Princes Street and was living at 15 Lauriston Street in the Tollcross area of Edinburgh. Both buildings are now demolished.

 

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: 09729

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