Antique 12ft Elizabethan Revival Pollard Oak Dining Table 19th C and 14 chairs

Ref: 09642a

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There is no mistaking the style and sophisticated design of this dining set comprising an exquisite rare English antique Elizabethan Revival pollard oak  extending dining table, circa 1850 in date and a set of fourteen vintage dining chairs.

The table with a striking rectangular pollard oak top with canted corners, inlaid marquetry decoration to match the fret carved frieze, and a moulded edge over the already mentioned beautiful hand carved frieze.

This majestic table has four leaf extensions and can comfortably seat fourteen. This striking table has been hand-crafted from solid oak which is not only strong, but has a beautiful grain. The top is in Pollard, oak with twin line inlaid marquetry decoration, which is seen in the intricate burr on the table top.

The four leaf extensions can be added or removed as required to suit the occassion by a special winding mechanism.

The table is raised on massive hand carved square section legs with blind fret moulding, headed by carved masks, and terminating in  brass castors.

The superb set of fourteen Vintage burr walnut and inlaid marquetry dining chairs complement the table beautifully. The set comprises a pair of armchairs along with a total of twelve side chairs. The chairs are made from solid walnut and also feature marquetry inlaid decoration along the same lines  as the table.

For your seating comfort, the chairs in this set have beautifully reupholstered and feature drop in seats which can quickly and easily be removed leaving the cane seats below available to provide a cooler seating option in warmer weather.


This impressive dining set is exemplary of the early Victorian era with its Pollard oak and delicate inlaid marquetry. It will stand out in your dining or conference room and will become the key piece in your furnishing collection.
 
 
Condition:

In excellent condition having been beautifully cleaned, French polished and waxed in our workshops, please see photos for confirmation.

Dimensions in cm:

Height 77 x Width 360 x Depth 142 - Fully Extended

Height 77 x Width 160 x Depth 142 - With all leaves removed

Height 105 x Width 48 x Depth 46 - Chair

Height 105 x Width 56 x Depth 53 - Armchairs

Height 53 - Seat Height

Dimensions in inches:

Height 2 foot, 6 inches x Width 11 foot, 10 inches x Depth 4 foot, 8 inches - Fully Extended

Height 2 foot, 6 inches x Width 5 foot, 3 inches x Depth 4 foot, 8 inches - With all leaves removed

Height 3 foot, 5 inches x Width 1 foot, 7 inches x Depth 1 foot, 6 inches - Chair

Height 3 foot, 5 inches x Width 1 foot, 10 inches x Depth 1 foot, 9 inches - Armchairs

Height 1 foot, 9 inches - Seat Height

Pollard Oak
Pollarding is a pruning system in which the upper branches of a tree are removed, promoting a dense head of foliage and branches. It has been common in Europe since medieval times and is practised today in urban areas worldwide, primarily to maintain trees at a predetermined height. The bole of the tree, constantly cut back over a period of years, will eventually form a lump, or ‘burr’, which when sawn for veneer, gives a lovely grained, swirling figure.
The effect is similar to that of burr walnut with its distinctive speckled grain. Burrs, or ‘burls’, are growths which appear on the side of tree trunks, resulting from a tree undergoing some form of stress. They may be caused by an injury, virus or fungus.
During the 19th century great strides were made in the mechanisation of cabinet making. Marc Isambard Brunel [ Isambard Kingdom’s father] built the first steam driven saw mill, and invented a circular saw that could be used to cut veneers thinly and evenly for the first time. He also developed the first hydraulic veneer press. The figured wood cut from burrs and pollards is notoriously difficult to cut and lay: the wild grain which makes it so attractive results in a very delicate, brittle veneer. The new machines enabled the Victorian craftsmen to make the most of these beautiful timbers.

Winding Mechanism for extending tables
Were first made in the early 19th Century.
A man by the name of Samuel Hawkins applied for a patent on a screw expander on June 6th, 1861. Presumably, Mr. Hawkins either died or retired because his business was taken over by a young machinist named Joseph Fitter  in 1864.
Joseph Fitter operated a machinist shop where he produced winding mechanisms for extending tables as well as screw expanders for piano stools and other applications at 210 Cheapside, Birmingham England by the name of Britannia Works.
 

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: 09642a

Please feel free to email or call us (+44 20 8809 9605) to arrange a viewing in our North London warehouse.

Shipping:

We ship worldwide and deliver to Mainland UK addresses free of charge.

A shipping cost to all other destinations must be requested prior to purchase.

UK shipping times are typically 3-5 business days.

Buyers are fully responsible for any customs duties or local taxes that may be incurred on items sent outside of the United Kingdom, and we are not responsible for any delays in shipping or in the customs procedures of any jurisdiction, which are completely beyond our control.

Delivery and return policy:

We require that someone be home on the agreed delivery day if applicable, otherwise a redelivery fee will apply.

In accordance with Distance Selling Regulations, we offer a 14-day money back guarantee if you are not satisfied with the item.

The item must be returned in its original packaging and condition.

Unless the item is not as described in a material way, the buyer is responsible for return shipping expenses.

Buyers are fully responsible for any customs duties or local taxes that may be incurred on items sent outside of the United Kingdom, and we are not responsible for any delays in shipping or in the customs procedures of any jurisdiction, which are completely beyond our control.

Please be advised that claims for damage with certain carriers can sometimes take several months to resolve, and we would be grateful for your patience and cooperation throughout the process.

Returns will be processed and refunds issued within 2-3 business days of receipt.

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