Huge 5 Meter Marquetry Extending Burr Walnut Bespoke Dining Table

Ref: 01213

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Wonderful bespoke handmade Victorian style large dining table crafted in burr walnut featuring exceptional inlaid marquetry.

Seating sixteen people in royal comfort, this is an amazing piece of luxury furniture which will add splendour to any room. This large bespoke dining table is also appropriate for a conference room or any commercial space such as a hotel dining room or lobby, where it is sure to be a talking point.

Due to its beautifully-shaped grain, burr walnut has been used for centuries by fine furniture makers. This large bespoke dining table has been further embellished with superb inlaid marquetry foliate decoration.

The wonderful hand-cut inlaid marquetry decoration of entwined leaves and flowers is made from wood veneers of various shades. To highlight the natural grain of the wood and the excellent artistry of the marquetry, we have French polished this large dining table by hand.

This large bespoke dining table can be extended with four leaves using a double wind out mechanism. This flexibility means this large dining table can be converted into a smaller table to suit any occasion. It stands on six beautifully carved legs terminating with brass castors.

The set of chairs shown in the photos is also available at an additional cost.

Condition:

This is brand new bespoke handmade large dining table. As such it is in perfect and pristine condition.

The Making of this Marquetry Masterpiece

Please take a few moments to watch our video above which explains how this wonderful large dining table was made. You can also read about this below where we explain the process.

We are very lucky to have third-generation master craftspeople working in our Italian workshop where this wonderful large dining table was made. It has been made with the greatest care and attention to detail.

Dimensions in cm:

Height 79 x Width 500 x Depth 180 - When fully extended

Height 79 x Width 180 x Depth 180 - When fully closed

Dimensions in inches:

Height 2 foot, 7 inches x Width 16 foot, 5 inches x Depth 5 foot, 11 inches - When fully extended

Height 2 foot, 7 inches x Width 5 foot, 11 inches x Depth 5 foot, 11 inches - When fully closed

Walnut & Burr Walnut

Walnut is a hard, dense, tight- grained wood that polishes to a very smooth finish. It is a popular and attractive wood whose colour ranges from near white in the sapwood to a dark hew in the heartwood. When dried in a kiln, walnut wood tends to develop a dull brown colour, but when air-dried can become a rich purplish-brown. Because of its colour, hardness and grain, it is a prized furniture and carving wood. Walnut veneer was highly priced and the cost would reflect the ‘fanciness’ of the veneer – the more decorative, then the more expensive and desirable.

Burr walnut refers to the swirling figure present in nearly all walnut when cut and polished, and especially in the wood taken from the base of the tree where it joins the roots. However the true burr is a rare growth on the tree where hundreds of tiny branches have started to grow. Burr walnut produces some of the most complex and beautiful figuring you can find.

Walnut "burrs" were often used to make fabulous furniture.  Veneer sliced from walnut burl is one of the most valuable and highly prized by cabinet makers and prestige car manufacturers and is also a favourite material for shotgun stocks.

 Inlay was commonly used in the production of decorative burr walnut furniture, where pieces of coloured veneers are inlaid into the surface of the walnut, adding delicate or intricate patterns and designs. Inlays normally use various exotic  veneers, but other materials such as  mother-of-pearl, brass or bone were  also be used.
 

Marquetry
is decorative artistry where pieces of material (such as wood, mother of pearl, pewter, brass silver or shell) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers.

The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the "hardstones" used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique.

Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing shell and brass with pewter in arabesque or intricately foliate designs.
  

  

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: 01213

Please feel free to email or call us (+44 20 8809 9605) to arrange a viewing in our North London warehouse.

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