Vintage 7ft 4" Diam Jupe Mahogany Dining Table by William Tillman 20th C
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This is a beautiful Regency Revival Jupe style flame mahogany dining table by the master cabinet maker William Tillman, Circa 1970 in date.
The table has a solid mahogany top that has five additional perimeter leaves that can be added around the circumference. It is very stable as it has a large mahogany central column that is raised on a central base with four downswept reeded splay legs that terminate in brass sabots and castors, which give the table it's superb stability.
With the leaves attached around the circumference it can seat up to ten people in comfort, with the leaves removed the diameter is 158cms ( 5ft 2 Inches approx ) and can then seat six to eight people.
This fascinating table illustrates all the very best elements of English cabinet-making combined with the remarkable burst of inventiveness of the Industrial Revolution. It was not until John Johnstone and Robert Jupe patented their ingenious design in March 1835 for an expanding round table,that round dining tables, which had suffered from the problem of not offering flexibility of seating, could compete with the established rectangular extending dining tables.
There is no mistaking the fine craftsmanship of this handsome table, which is certain to become a treasured addition to your furniture collection, and a talking point with guests at meal times.
In excellent condition the table having been beautifully cleaned and polished in our workshops, please see photos for confirmation.
Dimensions in cm:
Height 72 x Width 226 x Depth 226 - With leaves
Height 72 x Width 158 x Depth 158 - With all leaves removed
Dimensions in inches:
Height 2 feet, 4 inches x Width 7 feet, 5 inches x Depth 7 feet, 5 inches - With leaves
Height 2 feet, 4 inches x Width 5 feet, 2 inches x Depth 5 feet, 2 inches - With all leaves removed
William Tillman
William Tillman was making fine reproduction furniture from the1970's until his retirement at the end of the 1990's and his work is considered to be of the highest quality and collected throughout the world. It has been sold in all of the famous London Stores including Harrods,Peter Jones and Maples and will almost certainly be considered important antique furniture of the future.
Every piece of furniture was produced with the utmost skill and knowledge to ensure that the finished article would bear the most critical comparison with the original. Whilst the polish used was resistent to heat and water, the finished surface has a wax patination similar to that found on early furniture.
Tillman pieces won the British Furniture Manufacturers, Showpiece of the Year award in three consecutive years.
Flame Mahogany
Thomas Sheraton - 18th century furniture designer, once characterized mahogany as "best suited to furniture where strength is demanded as well as a wood that works up easily, has a beautiful figure and polishes so well that it is an ornament to any room in which it may be placed." Matching his words to his work, Sheraton designed much mahogany furniture. The qualities that impressed Sheraton are particularly evident in a distinctive pattern of wood called "flame mahogany."
The flame figure in the wood is revealed by slicing through the face of the branch at the point where it joins another element of the tree.
Angelica Kauffman, RA (1741 - 1807)
was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.
While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.
Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.
The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).
Satinwood
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.
The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.
It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.
Our reference: 09465
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