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Antique Biedermeier Maserbirch Console Table Circa 1900

Antique Biedermeier Maserbirch Console Table Circa 1900
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  • Antique Biedermeier Maserbirch Console Table Circa 1900
  • Antique Biedermeier Maserbirch Console Table Circa 1900
  • Antique Biedermeier Maserbirch Console Table Circa 1900
  • Antique Biedermeier Maserbirch Console Table Circa 1900
  • Antique Biedermeier Maserbirch Console Table Circa 1900
  • Antique Biedermeier Maserbirch Console Table Circa 1900
  • Antique Biedermeier Maserbirch Console Table Circa 1900
  • Antique Biedermeier Maserbirch Console Table Circa 1900
  • Antique Biedermeier Maserbirch Console Table Circa 1900
  • Antique Biedermeier Maserbirch Console Table Circa 1900
  • Antique Biedermeier Maserbirch Console Table Circa 1900
  • Antique Biedermeier Maserbirch Console Table Circa 1900
  • Antique Biedermeier Maserbirch Console Table Circa 1900
  • Antique Biedermeier Maserbirch Console Table Circa 1900
  • Antique Biedermeier Maserbirch Console Table Circa 1900
  • Antique Biedermeier Maserbirch Console Table Circa 1900
  • Antique Biedermeier Maserbirch Console Table Circa 1900
Ref:09104
Price: £1,250.00
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This is a stylish antique maserbirch Biedermeier console table with ebonised detail, circa 1900 in date.
 
The table features a single drawer and rectangular top on a pair of 'S' scroll supports united by a platform undertier raisd on lion's paw feet.


The grain of the wood is truly breathtaking and the quality and attention to detail on display throughout this large and sturdy piece are second to none.
 

Condition:

In excellent condition

Dimensions in cm:

Height 81 x Width 104 x Depth 36

Dimensions in inches:

Height 2 feet, 8 inches x Width 3 feet, 5 inches x Depth 1 foot, 2 inches

Biedermeier period,
refers to an era in Central Europe during which arts appealed to common sensibilities in the historical period between 1815, the year of the Congress of Vienna at the end of the Napoleonic Wars, and 1848, the year of the European revolutions.

Although the term itself is a historical reference, it is predominantly used to denote the artistic styles that flourished in the fields of literature, music, the visual arts and interior design.

Biedermeier was an influential style of furniture design from Germany during the years 1815–1848, based on utilitarian principles. The period extended into Austria and Scandinavia.

Throughout the period, emphasis was kept upon clean lines and minimal ornamentation. As the period progressed, however, the style moved from the early rebellion against Romantic-era fussiness to increasingly ornate commissions by a rising middle class, eager to show their newfound wealth.

The idea of clean lines and utilitarian postures would resurface in the 20th century, continuing into the present day. The Biedermeier style was a simplified interpretation of the influential French Empire Style of Napoleon I, which introduced the romance of ancient Roman Empire styles, adapting these to modern early 19th century households. Biedermeier furniture used locally available materials such as cherry, ash and oak woods rather than the expensive timbers such as fully imported mahogany. 

Biedermeier furniture and lifestyle was a focus on exhibitions at the Vienna applied arts museum in 1896. The many visitors to this exhibition were so influenced by this fantasy style and its elegance that a new resurgence or revival period became popular amongst European cabinetmakers.

This revival period lasted up until the Art Deco style was taken up. Biedermeier also influenced the various Bauhaus styles through their truth in material philosophy.

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: 09104

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