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Antique Pair 5 Light Candelabra Garrard & Co C1910

Antique Pair 5 Light Candelabra Garrard & Co C1910
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  • Antique Pair 5 Light Candelabra Garrard & Co C1910
  • Antique Pair 5 Light Candelabra Garrard & Co C1910
  • Antique Pair 5 Light Candelabra Garrard & Co C1910
  • Antique Pair 5 Light Candelabra Garrard & Co C1910
  • Antique Pair 5 Light Candelabra Garrard & Co C1910
  • Antique Pair 5 Light Candelabra Garrard & Co C1910
  • Antique Pair 5 Light Candelabra Garrard & Co C1910
  • Antique Pair 5 Light Candelabra Garrard & Co C1910
  • Antique Pair 5 Light Candelabra Garrard & Co C1910
  • Antique Pair 5 Light Candelabra Garrard & Co C1910
  • Antique Pair 5 Light Candelabra Garrard & Co C1910
  • Antique Pair 5 Light Candelabra Garrard & Co C1910
  • Antique Pair 5 Light Candelabra Garrard & Co C1910
  • Antique Pair 5 Light Candelabra Garrard & Co C1910
  • Antique Pair 5 Light Candelabra Garrard & Co C1910
  • Antique Pair 5 Light Candelabra Garrard & Co C1910
  • Antique Pair 5 Light Candelabra Garrard & Co C1910
  • Antique Pair 5 Light Candelabra Garrard & Co C1910
  • Antique Pair 5 Light Candelabra Garrard & Co C1910
  • Antique Pair 5 Light Candelabra Garrard & Co C1910
Ref:09097
Price: £1,650.00
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This is a stunning pair of  silver plated, five light table candelabra dating from  C 1910 and each bearing the makers mark of the renowned London retailer, silversmith, and Crown jewellers to six Monarchs,  Garrard & Co. Ltd 112 Regent St W.

The candelabra each feature an elaborate decorative column, scroll design branches, detachable sconces and they stand on shaped square bases beautifully embossed  with festoons of flowers.

The attention to detail is absolutely fantastic and they are certain to attract attention wherever they are placed.


Condition:

In really excellent condition, please see photos for confirmation of condition.

Dimensions in cm:

Height 55 x Width 31 x Depth 31

Dimensions in inches:

Height 1 foot, 10 inches x Width 1 foot, 0 inches x Depth 1 foot, 0 inches

Garrard.
Founder of the firm was John Wickes in 1722. In 1802 Robert Garrard (senior) took the control of the firm active in Panton Street, Haymarket, London. In 1818 he was succeed by his three eldest sons, Robert Garrard Jr, James Garrard and Sebastian Garrard trading as R, J & S. Garrard. The firm became R. & S. Garrard in 1835, R. & S. Garrard & Co in 1843 and Garrard & Co Ltd in 1909. In 1952 the firm was amalgamated with Goldsmiths & Silversmiths Co Ltd. 

Garrard merged with the jewellery firm Asprey in 1998 to become Asprey & Garrard, moving from 112 Regent Street to premises on New Bond Street. Asprey & Garrard was bought by Prince Jefri Bolkiah, a younger brother of the Sultan of Brunei, in 1995, and later acquired by private investors Lawrence Stroll and Silas Chou in 2000. The company demerged in 2002, with Garrard returning to the Albemarle Street site it first occupied in 1911. Garrard was acquired by the US private equity firm Yucaipa Cos. in 2006, ending its partnership with Asprey. Garrard was crown jeweller since 1735 when George Wickes was appointed as goldsmith to the Prince of Wales.

The 19th century continued with a succession of famous commissions for Royalty and in 1843 Queen Victoria bestowed the honour of Crown Jeweller on the company. Garrard has served six successive monarchs. 

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: 09097

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