Antique Oil Painting Grand Canal Venice Alfred Pollentine 19th C
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This is a beautiful oil on canvas painting of the view of the Santa Maria dell Salute in Venice by the renowned British artist Alfred Pollentine (1836-1890) and signed lower right 'A Pollentine/86'.
This beautiful landscape captures a striking view Santa Maria dell Salute, it features a busy canal scene with sailing boats and gondoliers in the foreground, in the distance the facades of Saint Mark's, the Doge's Palace, Santa Maria della Salute and the spiralling tower of the San Marco Campanile complete the painting.
Housed in it's original and beautiful gilt gallery frame.
Several examples of his work have sold at top auction houses, see Christies, Sothebys and Bonhams
In really excellent condition, please see photos for confirmation.
Dimensions in cm:
Height 57 x Width 78 x Depth 4 - Frame
Height 39 x Width 60 - Canvas
Dimensions in inches:
Height 1 foot, 10 inches x Width 2 feet, 7 inches x Depth 2 inches - Frame
Height 1 foot, 3 inches x Width 2 feet - Canvas
Pollentine exhibited numerous works at several of the top galleries in England from 1861 through 1880, including two of London's most prestigious ones, the British Institution and Society of British Artists.
R. J. Pollentine and W. H. Pollentine are also recorded artists and are believed to be his father and brother.
Angelica Kauffman, RA (1741 - 1807)
was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.
While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.
Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.
The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.
The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.
It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.
Our reference: 08957
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