Antique Victorian Silver Plate Claret Jug Walker & Hall C1880
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This delightful piece is of baluster form, has a domed circular foot, a decorative scroll handle and a hinged lid.
It is profusely embossed in relief with vine leaves, vines and grapes.
There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector.
In excellent condition with clear makers marks and no dings, dents or signs of repair. Please see photos for confirmation.
Dimensions in cm:
Height 32 x Width 12 x Depth 17
Dimensions in inches:
Height 1 foot, 1 inch x Width 5 inches x Depth 7 inches
Walker & Hall
the business was established in Sheffield in 1845 by George Walker who become an assistant of Dr John Wright. Dr John Wright had conducted important experiments on electroplating, Walker secured the royalty of electroplating for Sheffield.
The business was joined by Henry Hall and became in 1853 Walker & Hall. The factory was at Howard Street, Sheffield, while showrooms were opened in 45 Holborn Viaduct, London. Branches were opened in Liverpool, Manchester, Leeds, Glasgow, Edinburgh, Newcastle, Cardiff, Belfast, Hull, Bristol, Melbourne and Adelaide (Australia), Cape Town (South Africa).
Walker & Hall was converted into a limited liability company in 1920 under the style Walker & Hall Ltd and combined in 1963 under the British Silverware Ltd with Mappin & Webb and Elkington & Co. Walker and Hall Sheffield were primarily Sheffield Makers, but items with Birmingham, London and Chester Assay Marks can also be found.
Angelica Kauffman, RA (1741 - 1807)
was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.
While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.
Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.
The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.
The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.
It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.
Our reference: 08800