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Antique Giltwood Louis Revival Overmantel Cushion Mirror c 1870 104 x 151 cm

Antique Giltwood Louis Revival Overmantel Cushion Mirror c 1870 104 x 151 cm
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  • Antique Giltwood Louis Revival Overmantel Cushion Mirror c 1870 104 x 151 cm
  • Antique Giltwood Louis Revival Overmantel Cushion Mirror c 1870 104 x 151 cm
  • Antique Giltwood Louis Revival Overmantel Cushion Mirror c 1870 104 x 151 cm
  • Antique Giltwood Louis Revival Overmantel Cushion Mirror c 1870 104 x 151 cm
  • Antique Giltwood Louis Revival Overmantel Cushion Mirror c 1870 104 x 151 cm
Ref:08791
Price: £2,850.00
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A finely carved antique 'Cushion' giltwood mirror in the Louis XIV style, circa 1870 in date.

The rectangular mirror is framed by egg and dart marginal side plates with the same inner frame.
 
The frame is surmounted with a striking carved giltwood central finial with doves, a flaming torch, a quiver of arrows and laurels and it features outset tassel and swag decoration. The lower section is adorned with a central cresting of laurel and tassels.
 
The giltwood mirror is a very decorative item which will look amazing and enhance the look of any room.

Condition:

In excellent condition, the frame having its been beautifully cleaned in our workshops, please see photos for confirmation.
 

Dimensions in cm:

Height 151 x Width 104 x Depth 5

Dimensions in inches:

Height 4 feet, 11 inches x Width 3 feet, 5 inches x Depth 2 inches

Mirrors are commonly used for personal grooming or admiring oneself (in which case the archaic term looking-glass is sometimes still used), decoration, and architecture.

The earliest manufactured mirrors were pieces of polished stone such as obsidian, a naturally occurring volcanic glass. In classical antiquity, mirrors were made of solid metal (bronze, later silver) and were too expensive for widespread use by common people; they were also prone to corrosion. Due to the low reflectivity of polished metal, these mirrors also gave a darker image than modern ones, making them unsuitable for indoor use with the artificial lighting of the time.

The method of making mirrors out of plate glass was invented by 16th-century Venetian glassmakers on the island of Murano, who covered the back of the glass with mercury, obtaining near-perfect and undistorted reflection. For over one hundred years, Venetian mirrors installed in richly decorated frames served as luxury decorations for palaces throughout Europe, but the secret of the mercury process eventually arrived in London and Paris during the 17th century, due to industrial espionage. French workshops succeeded in large-scale industrialization of the process, eventually making mirrors affordable to the massed. 

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: 08791

Please feel free to email or call us (+44 20 8809 9605) to arrange a viewing in our North London warehouse.

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Delivery and return policy:

We require that someone be home on the agreed delivery day if applicable, otherwise a redelivery fee will apply.

In accordance with Distance Selling Regulations, we offer a 14-day money back guarantee if you are not satisfied with the item.

The item must be returned in its original packaging and condition.

Unless the item is not as described in a material way, the buyer is responsible for return shipping expenses.

Buyers are fully responsible for any customs duties or local taxes that may be incurred on items sent outside of the European Union.