Antique 20inch diam Sevres Porcelain Charger of Louis XVI 18th C
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It has a striking Bleu Celeste and gilt tooled border with a central portrait of Louis XVI surounded by important women in the Kings life, clockwise from the top:
- Marie Antoinette (Marie Antoinette of Austria, Queen of France executed at Place de la Révolution 1764–1794).
- Princess Marie-Louise Thérèse of Savoy-Carignan (Princesse de Lamballe, executed during the French Revolution 1749 - 1792).
- Charlotte-Jeanne Béraud de la Haye de Riou, Marquise de Montesson mistress and later wife of Louis Philippe d'Orléans, Duke of Orléans, 1738 – 1806).
- Marie-Thérèse Charlotte of France (Madame Royale eldest daughter of Louis XVI and only child to reach adulthood (1778 – 1851).
- Élisabeth of France (Élisabeth Philippine Marie Hélène de France youngest daughter of Louis XVI executed at Place de la Révolution 1764 –1794).
There is no mistaking the quality and unique design of this charger which is sure to be a treasured addition to your home.
In excellent condition, with no chips, cracks or signs of repair, please see photos for confirmation.
Dimensions in cm:
Height 7 x Width 49 x Depth 49
Dimensions in inches:
Height 3 inches x Width 1 foot, 7 inches x Depth 1 foot, 7 inches
Louis was king of France when the monarchy was overthrown during the French Revolution. He was guillotined in 1793.
Louis was born at Versailles on 23 August 1754. In 1770, he married Marie Antoinette, daughter of the emperor and empress of Austria, a match intended to consolidate an alliance between France and Austria. In 1774, Louis succeeded his grandfather Louis XV as king of France.
Louis initially supported attempts by his ministers Jacques Turgot and later Jacques Necker to relieve France's financial problems. French support for the colonists in the American War of Independence had brought the country to the verge of bankruptcy. Meanwhile, accusations of frivolity, extravagance and scandalous behaviour against the queen, Marie Antoinette, further discredited the monarchy.
In 1789, to avert the deepening crisis, Louis agreed to summon the 'estates-general' (a form of parliament, but without real power) in order to try and raise taxes. This was the first time the body had met since 1614. Angered by Louis' refusal to allow the three estates - the first (clergy), second (nobles) and third (commons) - to meet simultaneously, the Third Estate proclaimed itself a national assembly, declaring that only it had the right to represent the nation.
Rumours that the king intended to suppress the assembly provoked the popular storming of the Bastille prison, a symbol of repressive royal power, on 14 July 1789. In October, Louis and his family were forced by the mob to return to Paris from their palace at Versailles. In June 1791, they attempted to escape, which was considered proof of Louis' treasonable dealings with foreign powers. He was forced to accept a new constitution, thereby establishing a constitutional monarchy.
Nonetheless, against a background of military defeat by Austria and Prussia, the revolutionary leadership was becoming increasingly radicalised. In September 1792, the new National Convention abolished the monarchy and declared France a republic. Louis was found guilty of treason and executed at the guillotine on 21 January 1793. Marie Antoinette was executed nine months later.
Angelica Kauffman, RA (1741 - 1807)
was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.
While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.
Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.
The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.
The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.
It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.
Our reference: 08683