Antique French Aubusson Tapestry In Giltwood Frame C1800
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It is housed in it's richly carved giltwood frame which is decorated with a floral reef and a carved lovebird surmount.
In excellent condition, please see photos for confirmation.
Dimensions in cm:
Height 105 x Width 76 x Depth 3 - frame
Height 84 x Width 67
Dimensions in inches:
Height 3 feet, 5 inches x Width 2 feet, 6 inches x Depth 1 inch - frame
Height 2 feet, 9 inches x Width 2 feet, 2 inches
manufacture of the 17th and 18th centuries managed to compete with the Royal manufacture of Gobelins tapestry and the privileged position of Beauvais tapestry. Tapestry manufacture at Aubusson, in the upper valley of the Creuse in central France, may have developed from looms in isolated family workshops established by Flemings that are noted in documents from the 16th century.
Typically, Aubusson tapestries depended on engravings as a design source or the full-scale cartoons from which the low-warp tapestry-weavers worked. As with Flemish and Parisian tapestries of the same time, figures were set against a conventional background of verdure, stylized foliage and vignettes of plants on which birds perch and from which issue glimpses of towers and towns.
The town of Felletin is identified as the source from which came the Aubusson tapestries in the inventory of Charlotte of Albret, Duchess of Valentinois and widow of Cesare Borgia.
Angelica Kauffman, RA (1741 - 1807)
was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.
While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.
Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.
The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.
The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.
It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.
Our reference: 08483