Antique Victorian Mahogany Partners Pedestal Desk c.1860
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The rectanglular desk features a moulded edge and is fitted with three frieze drawers to either side, with six further drawers on one side, all fitted with the original mahogany knobs, and a pair of cupboards on the other. It has it's original inset green leather and gold tooled writing surface and is raised on elegant bracket feet.
Complete with the original brass locks and keys, the locks all stamped with the name of the renowned maker Hobbs & Co.
Instill the elegance of a bygone era to a special place in your home with this fabulous antique partners pedestal desk.
In excellent condition having been beautifully cleaned and polished in our workshops, please see photos for confirmation.
Dimensions in cm:
Height 76 x Width 182 x Depth 119
Height 60 x Width 88 - Kneehole
Dimensions in inches:
Height 2 feet, 6 inches x Width 6 feet x Depth 3 feet, 11 inches
Height 2 feet x Width 2 feet, 11 inches - Kneehole
is probably one of the largest ‘families’ of hardwood, having many different varieties within its own species.
Mahogany has been used for centuries in ship building, house building, furniture making etc and is the core structure of just about every 19th century vanity box, dressing case or jewellery box. It became more of a Victorian trend to dress Mahogany with these decorative veneers, such as Rosewood, Kingwood, Burr Walnut and Coromandel, so that the actual Mahogany was almost hidden from view.
Mahogany itself is a rich reddish brown wood that can range from being plain in appearance to something that is so vibrant, figured and almost three dimensional in effect.
Although Mahogany was most often used in its solid form, it also provided some beautifully figured varieties of veneer like ‘Flame’ Mahogany and ‘Fiddleback’ Mahogany (named after its preferred use in the manufacture of fine musical instruments).
Cuban Mahogany was so sought after, that by the late 1850′s, this particular variety became all but extinct.
Alfred Charles Hobbs
(1812 - 1891) born in America, when Alfred was only three years old his farther died leaving the family destitute. Beginning at the age of ten, A. C. Hobbs worked at a variety of jobs ranging from farm help to wood carving, carriage building, tinsmithing, and harness making. While an apprentice at the Sandwich Glass Company, he learned to make doorknobs and became interested in locks. For a while he was a partner in a small firm of Jones & Hobbs, lock makers. About 1840 he became a salesman for the Day & Newell Company - one of America's foremost lock makers. Here he earned a reputation as an expert lock picker. He found that the best way to sell his Companies locks was to pick the locks of his competitors.
In 1851 he was sent to the Great Exhibition in London where he successfully picked the famous Chubb and Bramah locks. ( "Great Lock Controversy" .)
Assisted by his newly won fame and publicity, he founded Hobbs & Co., London, in 1852.
Angelica Kauffman, RA (1741 - 1807)
was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.
While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.
Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.
The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.
The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.
It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.
Our reference: 08356
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